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SpencerMarsh (talk | contribs) (→The stories and worldviews we find in the translated text of our Book of Abraham coincide nicely with what we find from ancient Abrahamic lore. There are also a number of other textual and onomastic evidences.) |
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==Question: What evidence does the Book of Abraham demonstrate to support its own antiquity?== | ==Question: What evidence does the Book of Abraham demonstrate to support its own antiquity?== | ||
===The Book of Abraham has a number of evidences to support it=== | ===The Book of Abraham has a number of evidences to support it=== | ||
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====Placement of a knife being held in the priest's hand==== | ====Placement of a knife being held in the priest's hand==== | ||
− | One early Latter-day Saint who saw the papyri in 1841 described them as containing the scene of an altar with "a man bound and laid thereon, and a Priest with a knife in his hand, standing at the foot, with a dove over the person bound on the Altar with several Idol gods standing around it."<ref>William I. Appleby Journal, 5 May 1841, ms. 1401 1, 71–72, | + | One early Latter-day Saint who saw the papyri in 1841 described them as containing the scene of an altar with "a man bound and laid thereon, and a Priest with a knife in his hand, standing at the foot, with a dove over the person bound on the Altar with several Idol gods standing around it."<ref>William I. Appleby Journal, 5 May 1841, ms. 1401 1, 71–72, Church Archives; as quoted in Gee, "Eyewitness, Hearsay, and Physical Evidence," 184.</ref> Similarly, Reverend Henry Caswall, who visited Nauvoo in April 1842, had a chance to see some of the Egyptian papyri. Caswall, who was hostile to the Saints, described Facsimile 1 as having a "man standing by him with a drawn knife."<ref>{{CriticalWork:Caswall:City of the Mormons|pages=71-72}}, Church Archives; as quoted in John Gee, “Eyewitness, Hearsay, and Physical Evidence of the Joseph Smith Papyri,” ''The Disciple as Witness: Essays on Latter-day Saint History and Doctrine in Honor of Richard Lloyd Anderson'', Stephen D. Ricks, Donald W. Parry, and Andrew H. Hedges, eds. (Provo, UT: FARMS, 2000), 175–217.</ref> See [https://www.fairmormon.org/answers/Question:_Was_the_priest_depicted_in_Facsimile_1_holding_a_knife_or_some_other_object%3F here] for more information. The best explanation of the figure depicted as the priest sacrificing Abraham is that he is in the martial position, attempting to combat with the figure on the couch. This emphasizes the interpretation of Abraham being sacrificed. |
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<blockquote>Creedal Christianity teaches that God created the universe ex nihilo or out of nothing...By contrast, Joseph Smith taught that God created the universe ex materia or out of pre-existing matter...This teaching is also found in the Book of Abraham...Scholars now recognize that the ancient cultures of Egypt, Syria-Canaan, and Mesopotamia did not seem to countenance ideas of creation ex nihilo but rather envisioned creation as the emergence of an ordered cosmos out of pre-existing chaos.<ref>This page was last edited 7 July 2020.</ref></blockquote> | <blockquote>Creedal Christianity teaches that God created the universe ex nihilo or out of nothing...By contrast, Joseph Smith taught that God created the universe ex materia or out of pre-existing matter...This teaching is also found in the Book of Abraham...Scholars now recognize that the ancient cultures of Egypt, Syria-Canaan, and Mesopotamia did not seem to countenance ideas of creation ex nihilo but rather envisioned creation as the emergence of an ordered cosmos out of pre-existing chaos.<ref>This page was last edited 7 July 2020.</ref></blockquote> | ||
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{{endnotes sources}} | {{endnotes sources}} |
In this article we attempt to line up a comprehensive view of evidences for the Book of Abraham and other scholarly commentary on the different aspects of it. We start by talking about the ancient Abrahamic lore that supports details we find in the Book of Abraham, onomastic evidence, and other textual evidence. We end by talking about the facsimiles. We have attempted to provide the best commentary given on all of the figures from a faithful perspective. We have tried to include a critical perspective for many of the units of commentary that we provide and will seek to update this page as the scholarship is fleshed out between both sides of the debate. Readers are strongly encouraged to see the attached links to Pearl of Great Price Central where these evidences are fleshed out in greater detail and with the most up-to-date scholarship.[1]
The stories and worldviews we find in the translated text of our Book of Abraham coincide nicely with what we find from ancient Abrahamic lore. Joseph Smith demonstrated extensive knowledge of these areas, which he then integrated into a theologically rich whole. He could only have received this information through revelation, since there were no resources available to him on many of these traditions.
Some people have asked what might have been available to Joseph Smith when he translated the book. The Book of Josephus was known to Joseph Smith and it is likely that he read it, although it has not been proven. The Book of Josephus would have only been useful to Joseph for identifying that Abraham knew astronomy and that he taught it to the Egyptians, however it would not have been useful in identifying the type of astronomy taught to them. Thus, this becomes a strong evidence for the Book of Abraham. Another book that he may have known of is the Book of Jasher. There is some documentary evidence that may indicate that Joseph had already completed up to Abraham 3:13 before the Book of Jasher was published and circulated in his vicinity. This, however, cannot be demonstrated definitively as there is disagreement over the translation timeline for the Book of Abraham.[2] The book was not published until 1840 in New York[3] and the details contained generally do not match the phraseology nor the exact conceptualizations expressed in the Book of Abraham. References comparing the Book of Jasher and other books that Joseph may have had access to with the Book of Abraham can be found below.
Seven traditions below have been documented (with details differing) in 6 different biblical commentaries contemporary to Joseph Smith. Comparisons and contrasts will be listed in the footnotes.[4] As far as can be determined by the author of this article at this time, none of the books below were owned and/or read by Joseph Smith except for (maybe) Josephus.[5] BYU professor Andrew Hedges has posited that the traditions below were unique for then-contemporaneous views of Abraham.[6] It is unlikely that Joseph Smith would have had the time to find and crib so many sources, especially seeking minute details. Joseph was the founder of a new Church, a mayor, a general, and a politician at the time of the Book of Abraham's publication. To expect that he would be able to eclectically aggregate such sources is quite unlikely--though of course not entirely forgone. Many of the following traditions were absolutely not known to Joseph Smith's time.
Following is a listing of the traditions along with a bullet point list of various lore that supports the tradition. These are all listed in "Traditions about the Early Life of Abraham" from FARMS. Page numbers will be listed on the sides of the titles so readers may find the traditions and read them for themselves in that volume.[7]
IDOLATRY IN ABRAHAM'S DAY
SACRIFICE OF ABRAHAM AND OTHERS
PRIESTHOOD
REVELATION
ANCIENT RECORDS
PHARAOH AND THE FOUNDING OF EGYPT
FAMINE IN CHALDEA
OTHER
The Book of Abraham Onomasticon has a number of authentic Egyptian names. John Tvedtnes outlined many in a 2005 presentation at the FairMormon conference. Some, like the name Egyptus, have authentic traditions to accompany them.
John Gee and Hugh Nibley have documented how many ancient authors considered their texts to be divinely written and that a number of cases state that the document was written "In the hand" of a religious figure in question.[43] John Gee has seen evidence of this in the story of Idrimi — a ruler who lived in ancient Syria. Pearl of Great Price Central has a wonderful essay introducing him.
Pearl of Great Price Central:
The Book of Abraham narrates the life of the biblical patriarch in a first-person autobiographical voice. The book begins: “In the land of the Chaldeans, at the residence of my fathers, I, Abraham, saw that it was needful for me to obtain another place of residence” (Abraham 1:1). This first-person voice continues throughout the text as if Abraham himself was writing.When the Book of Abraham was published in 1842, no other texts from a similar time and place were known. The Book of Abraham was unique in that respect. In the last nearly two hundred years, archaeology has uncovered more texts that we can compare with the Book of Abraham.
One such ancient text discovered in 1939 contains strikingly similar features with the Book of Abraham. It too is an “autobiography” in that it narrates a story in the first-person. It speaks of a ruler named Idrimi who lived in ancient Syria—which is in the vicinity of one very plausible candidate for Abraham’s homeland—not long after the likely time period of Abraham (circa 2,000–1,800 BC).
Pearl of Great Price Central:
The name Zeptah stands out since it could very plausibly be a rendering of the Egyptian name Siptah (sꜣ ptḥ), meaning “son of [the god] Ptah.” This name, as well as its feminine equivalent “daughter of [the god] Ptah” (sꜣt ptḥ), is attested during the likely time of Abraham (circa 2,000–1,800 BC). It is also the name of an Egyptian king who lived many centuries after Abraham.
[. . .]
The name Egyptes/Egyptus is clearly related to the name Egypt, which comes from the Greek Aigyptos (Latin: Aegyptus). Aigyptos is a rendering of one of the Egyptian names for the ancient city of Memphis, which contains the theophoric Ptah element (ḥwt-kꜣ-ptḥ; literally “the estate of the Ka [spirit] of [the god] Ptah”). Since Egyptes/Egyptus is a Greek name that would be anachronistic for Abraham’s day, it might reflect the work of ancient scribes transmitting the text who “updated” the name centuries later. This may have been the case with the name Zeptah as well.
John Tvedtnes:
The term ‘Rahleenos’ is found in Abraham 1:14 and indicates that it means ‘hieroglyphics’ referring to one of the writing systems used in ancient Egypt. The word ‘hierogluphikos’ is Greek and means sacred or priestly writing. Perhaps it equates to Egyptian ‘Ra-nes’ which would mean the “tongue/language or speech of Ra”—Ra being the Egyptian sun god and head of the pantheon in the city of On or Heliopolis ‘Sun city’ (not Arizona—Egypt). (Laughter)(I should apologize for those who know how Egyptian is written but the fonts I use will not let me stack these properly so you have to read it all the way across the line.)
The Egyptian ‘n’ often corresponds to the Semitic ‘l’. The same is true also of the ‘r’; the Egyptian ‘r’ is sometimes used for the Semitic ‘l’ when it transliterates Semitic words, Hebrew, Canaanite, whatever. And, in fact, sometimes the two are used together to denote an ‘l’.
So when we look at ‘nes’ here from the Egyptian it could easily be ‘las’ ‘ras’ any of those, lāšōn (Hebrew), lisān (Arabic), I believe to be cognate with the Egyptian word. On the surface this Egyptian explanation does seem to fail because
Abraham 1:14 says that the system of Egyptian characters called ‘figures’ in that passage “is called by the Chaldeans Rahleenos, which signifies hieroglyphics.” So according to the Book of Abraham these are actually Chaldean, this is a Chaldean name not the Egyptian name but one of the manuscripts of the Book of Abraham says it was called that by the Egyptians and then the word Egyptian is crossed out and Chaldean is written above it. So, it seems to me that originally it was perhaps intended to denote Egyptian.
John Tvedtnes:
Here’s one of my favorites, funny guy, funny name. The god Shagreel is mentioned only in Abraham 1:9 where he is said to be “the sun.” In this connection, one may perhaps compare the Egyptian hawk-headed god Sokar who is a form of the sun as depicted in fig. 4, facsimile 2, with the addition of the Semitic term El at the end—El meaning of course “God.” More likely, in my opinion, is Robert F. Smith’s identification with the Canaanite (inaudible) “the gates of El” “the gates of God”, a title of the Canaanite god (inaudible) who in the Ugaritic text is called in fact “gate of the sun.” An Akkadian seal impression has Shamash, the sun god, rising between two mountains on each side of which are hinged doors mounted by lions. The Egyptian Sokar is sometimes accompanied by a pair of lion guards and it’s (inaudible), we see them here, that’s the sun god rising between the mountains- between these two- actually they look more like, to me, they look more like cheetahs because they have spots but the face is more like a lion. I think they have a lion’s mane there. Anyway, the name (inaudible) means “twin lions” or “twin gates.” The twin lions guarding city gates were known amongst other Ancient Near Eastern peoples including the Hittites who did a lot of that and these later made their way into Western Europe and even into the United States where today they flank the entrances of libraries, museums and other public buildings and of course in Salt Lake City, the human-headed lions that guard the entrance to the Masonic Temple.there, would be Sheariel. The Semitic name for ‘gate’ is also known in Egypt by the way in later text because it was borrowed from Canaanite.
We should also compare the title Shagreel with the name Sheariah which in fact means the “gates of Jehovah” ‘yah’ in this case where ‘yah’ is substituted for ‘El.’ Sheariah is in fact found in the Bible, in 1 Chronicles 8:38 and 9:44. So the Hebrew form of the plural, which is not in those two passages, it has the singular
John Tvedtnes:
The term Olea is used to denote the moon in Abraham 3:13. It resembles the Hebrew term yārēaú which is just one of two words meaning “moon” or “month.” Even in English month comes from the word moon by the way, as does Monday— Moon’s Day. The Egyptian word for moon is Iah which is cognate to the Semitic term. In Facsimile 2, Fig. 1, the moon’s name is given differently however, it’s called Floeese. This name is similar to the Kli-flos-is-es that we find in some of the Kirtland Egyptian Papers. Kli makes a lot of sense. Kli is a good Hebrew word, it means a vessel in the sense of a plate or a bowl or even a spoon or a tool, a tool of any kind, a hammer or whatever. The word looks like it is finishing in the name of the Greek goddess, or the Greek form I should say, of the Egyptian goddess Isis;
Pearl of Great Price Central:
One of the astronomical terms defined in the Book of Abraham is Shinehah, which is said to be the sun (Abraham 3:13). Earlier in the Book of Abraham the “god of Shagreel” is identified as the sun as well (Abraham 1:9). The context of these passages suggests that Shagreel is a Chaldean (Northwest Semitic) name or word while Shinehah is an Egyptian name or word, although this is not explicit from the text. We do not know how Joseph Smith intended this word to be pronounced; whether, for instance, shine-hah or shi-ney-hah or some other way. However it is pronounced, contrary to the claim made by some of Joseph Smith’s skeptics, there is evidence that Shinehah is an authentic ancient Egyptian word.
John Tvedtnes:
Abraham 3:13 defines Kokob as “star” and Kokaubeam as “stars, or all the great lights, which were in the firmament of heaven.” When first published in the Times & Seasons, the passage read “Kolob” in error. They’d written Kolob so many times that the typesetter thought that’s what belonged here. The manuscripts however have Kokob corresponding to the Hebrew word that we have written here kōkāb and denotes in the one singular and the other in the plural. The plural is also found two other times in the Book of Abraham and it’s called in Facsimile 2, Fig. 5 and also Abraham 3:16 it lists Kokaubeam or kōkābīm in Hebrew. The correct pronunciation (inaudible) means “the” so it’s “the stars.” Lundquist noted that one of the deities in Deimel’s list was dKakob meaning “star”. Similar, Kakkab is the name of one of the god’s mentioned in the Ebla records discovered in northwestern Syria.
John Tvedtnes:
Abraham 1:11 describes Onitah as “one of the royal descent directly from the loins of Ham” whose three daughters were sacrificed because they would not worship the Egyptian gods. The name may be the same as Onitos and Onitas in the Valuable Discovery notebook where there is an ‘s’ at the end instead of the ‘h.’ there he is said to have been king of Egyptwhile the chapter 1 of Abraham says he was of the “royal descent.” It may correspond to the name Wenis (or usually pronounced Unas by those who transliterate it from the Egyptian). He was a pharaoh of the 5th dynasty of Egypt. He is not our man however because Unas lived long before Abraham’s time, he lived a few centuries before that, but there is an Egyptian text that indicates that the pharaoh Unas ate the boiled body parts of gods by which most Egyptologists have assumed that it means he was a cannibal—he was eating not gods, but humans and if that be the case it does make it look a little suspicious if this is the guy in whose day his daughters are being offered in sacrifice.
Two related Egyptian terms may give us clues about the meaning of the name Unas. The first is wnwt meaning “priesthood” and the second wnwty meaning “astronomer” both of which play an important role in the Book of Abraham which describes Abraham’s teachings of astronomy to the Egyptians and the rival claims of Abraham and Pharaoh to patriarchal priesthood authority.
The name Katumin also appears in the Valuable Discovery notebook, and the first passage reads, “Katumin, Princess, daughter of On-i-tas [Pharaoh] King of Egypt, who began to reign in the year of the World 2962.” The second reads, “Katumin was born in the 30th year of the reign of her father, and died when she was 28 years old, which was the year 3020.” I’m presuming she was sacrificed but the text doesn’t say that. It also appears in the form of Kah tou mun as an alternative. It may derive from the Egyptian KA-tA-Mn which would be the “spirit of the land of Min.” Min was one of the Egyptian gods; he was a fertility god in fact, who is closely associated with the land. Various classical writers claim that the first king of Egypt was named Mēnēs and that name has often been tied in with the name of the god Min.
John Tvedtnes:
Here, we’ll look at two important place names associated with Abraham that are not in the Bible because neither place is in Egypt, these names are not derived from the Egyptian language. The plain of Olishem is named in the Abraham 1:10 as the place in Ur of the Chaldees where the Egyptians had erected an altar on which they sacrificed human beings. John L. Lundquist has noted that the name is attested in a record of Naram Sin, a 23rd century B.C. king of Akkad as Ulisum and is listed with the (inaudible) mountains and the city Ebla in northwest Syria not far from Abraham’s homeland.
John Gee has also published on this in Journal of Book of Mormon and other Restoration Scripture through the Maxwell Institute
Abstract:
News reports from 2013 identify the site of Oylum Höyük with both the city of Abraham and the ancient city of Ulišum. The latter has been identified with the Olishem of Abraham 1:10. While the preliminary reports are encouraging, the evidence upon which the archaeologists base their identifications has not yet been published. So, while there is nothing against the proposed identifications, they are not proven either.[44]
John Tvedtnes:
Here’s one I kind of like- Kalsiduniash. The name Kalsiduniash is spelled in various ways in the Kirtland Egyptian Papers. In one it appears as chalsidon hish(sp?) and is identified as the land of the Chaldeans. This meaning is also given in another of the text where it is spelled as Za Ki-oan hiash, and also chalsidon hiash(sp?). It appears in other spelling forms as well in those documents.
The ending ‘iash’ is interesting to me. It is known from the name of the Cassite (inaudible) and the names of the Cassite kings of Babylon (inaudible). The Cassites controlled Mesopotamia during the 17th century B.C. This of course postdates the time of Abraham—he was 20th century B.C.—but it’s hard to ignore the fact that the Cassites called Mesopotamia Kar-Duniash which closely resembles the name found in the Kirtland Egyptian Papers with the interchange of the ‘l’ and the ‘r’ again which are common between Semitic languages and those in the broader language family which includes Egyptian called Afro-asiatic.
A Falasha text called Teezaza Sanbat (Commandment of the Sabbath), Falasha by the way, those are the Black Jews of Ethiopia, in describing Nimrod’s attempt to kill Abraham because he would not worship the idols noted regarding the furnace into which he was tossed, ‘From that day until today it is called (inaudible)’ (which sounds very much like these two- not identical but it’s similar. The name is evidently to be tied to the Akkadian term (inaudible), a people identified with the biblical Chaldeans, or Kasidim in Hebrew, in whose land Abraham lived at the time he was brought for sacrifice. According to the conflict of Adam and Eve, and early Christian texts, among the magi who came to visit the newborn Jesus, one account names Karsundas, king of the East. I have his name at the bottom of the list but look how closely it corresponds to the others. There’s something below the surface here and I’m not quite sure what it is but we’ll continue to work on it.[45]
Chiasmus, or inverted parallelism, is well-known to most students of Mormon studies; this note explores one instance of it in Abraham 3:22-23.
Stephen O. Smoot:
The Book of Abraham contains a number of hidden gems that you might miss if you read the text too quickly. Take Abraham’s vision of the cosmos and the divine council in Abraham 3. Most people remember this chapter for its vivid depiction of Kolob, a star “set nigh unto the throne of God” (Abraham 3:9). But a careful reading of the text reveals additional elements that add depth and sophistication to the account of Abraham’s stargazing.
For instance, a close reading of Abraham 3 uncovers a subtle Leitwort. Notice the emphasis on Abraham seeing the stars before him and how this is thematically linked with God seeing the spirits in the pre-mortal council.
Abraham:
And I saw the stars, that they were very great, and that one of them was nearest unto the throne of God; and there were many great ones which were near unto it. (v. 2) And he put his hand upon mine eyes, and I saw those things which his hands had made, which were many; and they multiplied before mine eyes, and I could not see the end thereof. (v. 12)God:
And God saw these souls that they were good, and he stood in the midst of them, and he said: These I will make my rulers; for he stood among those that were spirits, and he saw that they were good; and he said unto me: Abraham, thou art one of them; thou wast chosen before thou wast born. (v. 23)The connection runs deeper than mere vocabulary, however. After seeing a tiered, hierarchical physical cosmos of planets and stars (vv. 1–17), Abraham is then showed a tiered, hierarchical spiritual cosmos of spirits and intelligences (vv. 19–28). A single axial verse effortlessly rotates the emphasis from a physical cosmos to a spiritual cosmos: “Howbeit that he made the greater star; as, also, if there be two spirits, and one shall be more intelligent than the other” (v. 18). Just as there are tiered stars and planets, with Kolob being the greatest and closest to the throne of God (v. 9), so too there are tiered spirit-intelligences, “[some] being more intelligent than the other” (v. 19), with one preeminent Intelligence being “like unto God” (v. 24).
But why might God show Abraham a vision of a geocentric cosmos only to then launch into a discussion of the pre-mortal council? The answer is seen right before the axial turn: “And the Lord said unto me: Abraham, I show these things unto thee before ye go into Egypt, that ye may declare all these words” (v. 15).
In other words, the Lord had intentions of commissioning Abraham to utilize his astronomy lessons for didactic purposes. This makes perfect sense from an ancient perspective. Unfortunately, we do not have the text of the Book of Abraham that narrates how Abraham taught the Egyptians astronomy, although we do have Facsimile 3, which illustrates such.
Furthermore, as John Gee pointed out back in 2009, there’s very likely a nice Egyptian pun being employed here. The Egyptian words for spirits/souls (ȝḫw) and both the non-circumpolar (ỉḫmw-wrḏ) and circumpolar (ỉḫmw-sk) stars are phonetically similar, and would’ve played nicely for Abraham’s Egyptian audience. That is, Abraham was shown the never-setting circumpolar stars (ỉḫmw-sk) and then the pre-mortal spirits (ȝḫw), which “shall have no end . . . for they are gnolaum [Heb: ʿlm], or eternal” (v. 18).
(Another likely pun can be seen in the description that God “stood among those that were spirits [ȝḫw], and he saw that they were good [ȝḫt]” [v. 23].)
This repetition of Abraham seeing is not limited to the Book of Abraham. As summarized by Everett Fox, Genesis also utilizes the same Leitwort (“to see”; rʾh) in the Abraham narratives.
At the outset of Abraham’s journey to Canaan, which signals his entry into biblical tradition as an independent personality, God sends him off to a land that he will “let him see” (12:1). Arriving in the land, Abraham is granted a communication from God, expressed by the phrase “YHWH was seen by Avram . . .” (12:7). God subsequently promises the land to him and his descendants (“see from the place that you are . . . for all the land that you see, to you I give it and to your seed, for the ages” [13:15]). “Seeing” comes to the fore in the story of Abraham’s concubine Hagar; her encounter with God’s messenger ends with her addressing a “God of Seeing” (16:13). Further meetings between Abraham and God (17:1, 18:1) likewise express themselves visually, with the latter scene, where God announces Isaac’s impending birth at Abraham’s tent, almost unique in the Bible for its bold picture of God appearing directly to human beings.[46]Little wonder that Martin Buber would afford Abraham the title of seer. “Abraham sees God with the eye of his action and so recognizes Him. . . . Abraham becomes a prophet, but a seer is what he was from the very first moment when God ‘let Himself be seen’.”[47]
And of course, all of this has been brought into focus by another “choice seer” (2 Nephi 3:7) that God has raised in the latter days.[48]
Angels or heavenly messengers were frequently represented by birds in Egyptian literature. This is an element more contemporary to a later redactor and/or copyist of the Book of Abraham. The Egyptian word for angel is " 'ḫ". The Greek word for angel is "ἄγγελος". In the respective lore, they could potentially turn into birds and bring messages from God. Additionally, see above for traditions that mention the appearance of an angel to Abraham.
The Egyptian term for angel is 'ḫ. The term “designates entities or beings . . . [and] their(spirit-)state and the power emanating from them.” It was part of a larger spiritual world. The Egyptian spirit world was generally divided into three classes: gods [Egyptian and Greek translation included], angels [Egyptian and Greek translation included], and demons [Egyptian and Greek translation included]. The larger category of these beings was the spirit [Egyptian and Greek translation included]. When an individual died, his or her soul [Egyptian and Greek translation included] either became an angel [Egyptian and Greek Translation included] or a demon [Egyptian and Greek translation included] depending on whether the proper rites had been performed, and whether he or she had lived properly.
[. . .]
These are all features of the 'ḫ, who had power over the damned, and the living, could cause health, sickness, childbirth, financial distress, or general malady. They could also send dreams, lead men and women, do work, fight demons, light lamps, kill, move ships, transform themselves into lotuses, barley, falcons, phoenixes, herons, geese, swallows, ibises, vultures, other birds, bulls, crocodiles, snakes, spirits, gods, fire, air, whatever form desired, and in that form they could appear in various places, to whomever they wished. They open doors, travel through fire, loose bonds, drive away crocodiles, snakes, vultures, pigs, cockroaches, and other undesirable creatures, control water, winds, fire, and enemies, brings bread, water, beer, and other foods.
As shown in the following table, the descriptions overlap considerably showing that the Roman period
description is a continuation of previous pharaonic understandings, and that both ἄγγελος and [other Greek terms are attempts to render the Egyptian term 'ḫ into Greek.[49]
Human sacrifice is well attested in ancient Egypt. It was common to those who rejected the standing religious order as a human sacrifice to the Gods as form of capital punishment. This was virtually unknown during Joseph Smith's day. He could only have learned this information from revelation.
Pearl of Great Price Central:
While scholars might disagree on what precise terminology to use, there is, in the words of one Egyptologist, “indisputable evidence for the practice of human sacrifice in classical ancient Egypt.” Some of the evidence for this practice dates to the likely time of Abraham (circa 2,000–1,800 BC). “The story presented in the Book of Abraham matches remarkably well with the picture of ritual slaying” in Egypt during the same time period, concludes two Egyptologists in a study of this evidence.
The existence of human sacrifice in ancient Egypt has been variously debated and denied. While Egyptologists generally admit that the practice existed in the formative periods of Egyptian society, opinions among Egyptologists for later time periods range from claiming that "there is no certain evidence for the practice of human sacrifice . . . from the Old Kingdom onwards" to asserting that there is "indisputable evidence for the practice of human sacrifice in classical ancient Egypt." However difficult it may be for modern societies to accept that a practice we detest, such as human sacrifice, occurred in past civilizations we admire, further research and discoveries necessitate a reassessment of the possibility of this practice within Egyptian culture. While there is not a universally accepted definition of human sacrifice, for the purposes of this paper we will define human sacrifice as the slaying of a person in a ritual context.
Of interest in this publication is the citation of Dr. Robert Ritner (the most vocal critic of the Book of Abraham) in support of human sacrifice in ancient Egypt. His quote: "[there is] indisputable evidence for the practice of human sacrifice in classical ancient Egypt."[50]
Traditions about Abraham confirm that he was nearly sacrificed and that he was bound upon an altar. See above for the extrabiblical traditions that testify to this. Additionally, scholars have found links between Abraham and Osiris in Semitic adaptations of Egyptian lore. There has also been another papyrus located that associates Abraham with a lion couch scene.
Kevin Barney:
The adaptation of an Egyptian psychostasy vignette from chapter 125 of the Book of the Dead in the judgment scene of the Testament of Abraham, the adaptation of the Egyptian original underlying the Demotic Story of Setna in a Jewish popular version (replacing Osiris with Abraham), and the adaptation of a hypocephalus in the Apocalypse of Abraham provide a stunning glimpse of how J-red, living and working in the same era, may have adapted vignettes from a Book of Breathings and a hypocephalus as illustrations of the Book of Abraham, which had come under his care as a part of the ancient transmission of the text. In my view, the Semitic Adaptation theory turns the facsimiles and their interpretations from a perceived weakness of the Book of Abraham into a real strength.[51]
Another lion couch scene has been discovered which actually includes Abraham's name. It should be noted that the article that this papyri was included in does not claim that Abraham is the figure on the lion couch, and notes that "[t]he figure on the lion couch in this papyrus is a woman." That is very clear from looking at the papyrus. However, the wording under the figure states "Abraham upon..." ("Abraham epi" in Greek) and then it becomes unintelligible so scholars are at a stand-still as to knowing if the circling of the name of Abraham in that phrase is the identification of the figure as Abraham. It is very arguable, however, that with the preposition ("epi" meaning things ranging from "at", to "near" to "upon") and the circling of Abraham's name that this is an identification of Abraham as the figure on the couch in some form. This can simply not be demonstrated conclusively.[52]
Pearl of Great Price Central:
What do we know about the ancient god Elkenah? No deity of that name is mentioned in the KJV Bible, but in the last century archaeologists have unearthed evidence of his worship.
Elkenah is very likely the shortened form of the name of the Canaanite god El koneh aratz, meaning “God who created the earth” (or “God, creator of earth”). Among the ancient Hittites living in Asia Minor he was known as Elkunirsha.
Pearl of Great Price Central:
Even if some “issues concerning the accuracy of both the artwork and the copying [of Facsimile 1]” remain unanswered at the moment (issues which, unfortunately, “are routinely clouded by shifting the responsibility of the artwork from the engraver, Reuben Hedlock, to Joseph Smith, without adducing any evidence to identify a particular individual with the responsibility for the restorations”), the identification of this figure as a priest is not outside the realm of possibility from an Egyptological perspective.
The idolatrous Gods of Elkenah, Libnah, Korash, and Mahmakrah have been identified as Gods worshipped by ancient Mesopotamians. Along with the commentary of scholars below, Hugh Nibley has shown how the names of these deities would be associated with the canopic jars depicted here in his book "An Approach to the Book of Abraham".
Although unknown as deities in Joseph Smith’s day, the names of four associated idolatrous gods (Elkenah, Libnah, Mahmackrah, and Korash) mentioned in the Book of Abraham are attested anciently. Two of them are known to have connections with the practices attributed to them in the Book of Abraham. The odds of Joseph Smith guessing the names correctly is astronomical.
Michael Rhodes:
The names of the idolatrous gods mentioned in facsimile 1 provide another example of the validity of the Prophet Joseph’s explanations. If Joseph Smith had simply made up the names, the chances of their corresponding to the names of ancient deities would be astronomically small. The name Elkenah, for example, is clearly related to the Hebrew ttt ‘el q?n?h/ q?neh “God has created / the creator.” Elkenah is found in the Old Testament as the name of several people, including Samuel’s father (see 1 Samuel 1:1). The name is also found as a divine name in Mesopotamian sources as dIl-gi-na / dIl-kí-na / dÉl-ké-na. Libnah may be related to the Hebrew leb?n?h “moon” (see Isaiah 24:23) from the root l?b?n “white.” A city captured by Joshua was called libn?h (see Joshua 10:29). The name Korash is found as a name in Egyptian sources. A connection with K?reš the name of the Persian king Cyrus (Isaiah 44:28), is also possible.[53]
John Tvedtnes:
John Gee and others have more recently reexamined the names and come to similar conclusions. John M. Lundquist also noted that each of the gods or idols mentioned in Abraham 1:17 appears in the compilation of some 3,800 Mesopotamian deities published in 1950 by Anton Deimel. Many of these names are Akkadian a Semitic language related to Hebrew and more distantly to Egyptian.[54]
Hugh Nibley (framing his thought process in an imaginary dialogue) regarding how the four canopic jars could be both Mesopotamian gods and the four quarters of the earth (as found in Fac 2) argued:
. . . As far as the Egyptians were concerned, the four quarters of the earth were people. If the Book of Abraham wants to think of the four canopic jars as representing idolatrous gods and the four regions at the same time, this is entirely in keeping with the way the Egyptians thought about it. Now right here in the temple of Opet where we are so much at home "the genies of the four winds" enjoy a conspicuous display, and why are they there? The four winds, according to our handbook, head the list of more than fifty ritual appearances of the sacred four---it all began with the four winds and the four directions, represented as early as the Pyramid Texts by the four canopic vases.[55]
[...]It has been found that all these combinations have one thing in common--what Professor Constant de Wit calls the "quaternary principle"; he suggests that the whole business originally goes back to the four winds and probably started at Heliopolis.
Dick: Naturally
Mr. Jones: On good evidence. Even one of the Joseph Smith Papyri shows that.
Jane: Which one?
Mr. Jones: Fragment No. 8 in the Era listing, corresponding to chapter 5 of the Book of the Dead.[56] Allen has rendered it: "His nose is open in Busiris. He rests in Heliopolis. . . . If north winds come, he sits in the south; if south winds come, he sits in the north; if west winds come, he sits in the east; if east winds come, he sits in the west.[57]
[...]Mr. Jones: The animal heads seem to have been borrowed by the Egyptians in the first place. Originally the canopic vases didn't have the animal heads; they were just plain jars.[58] Scholars believe "that the theriomorphic vase in Egypt, as elsewhere can be traced to an origin in North Syria."[59] Yet the four heads are already canonically prescribed in the Pyramid Texts, so that it is suggested that their appearance in Egypt in the Nineteenth Dynasty was actually a return to the old idea.[60] The idea behind the canopic figures was certainly familiar to Canaan, where, according to the rabbis, the princes of the various nations were typified by animals, just as were the princes of Israel.[61]
Dick: But only four of them?
Mr. Jones: That was a concession to the system. Thus, though from time immemorial the Egyptians spoke of the other nations as the "Nine Bows," they believed that at the judgement the four races of mankind would stand in their proper positions.[62] Professor Georges Posener has shown that the Egyptians named the peoples and countries of the world after their directions and hence conceived of the four cardinal directions; to each of the cardinal directions they also gave cardinal colors--red, white, black, and green.[63] They knew that there were many countries, of course, but they insisted on fitting everything into the system--a sort of cosmic plan that seems to have hypnotized many ancient people.[64]
Dick: So, nobody had to borrow from anybody.
Mr. Jones: So, the various ideas could easily meet and fuse--in Canaan, especially, the newly found Brooklyn Papyrus shows the people familiar with the same ideas: "The invoking of the four Babylonian deities is certainly evidence of the presence of a Babylonian cult in this area." The four gods in question happen to be Bel, Nabu, Shamash, and Nergal[65] corresponding closely to the four great gods of the Egyptian four directions.[66]
Pearl of Great Price Central:
A strong case can be made for identifying the “god of Pharaoh” in the Book of Abraham as the Egyptian deity Sobek. This god was worshipped even before Abraham’s day and was commonly depicted as either a crocodile-headed man or a full crocodile wearing a crown. Anciently “he was regarded as a powerful deity with several important associations,” among them “procreative and vegetative fertility” and, importantly for the Book of Abraham, “the Egyptian king . . . as a symbol of pharaonic potency and might.”
Foreigners in Egypt, like Abraham was, are often represented by a Lotus Flower (sometimes referred to alternatively as a water lily), the figure depicted here, as argued by Dr. Hugh Nibley. Nibley cites Waltraud Guglielmi, a non-LDS Egyptologist, to support his assertion specifically referencing divine and human visitors in Egypt.
The lotus, perhaps the richest of all Egyptian symbols, can stand for the purest abstraction, as when it indicates nothing but a date in one tomb or a place in another.[67] In Facsimile 3 we are told that it points to two things, a man and a country, indicating the special guest-to-host relationship between them. Most of the time the lotus announces a party situation, adding brightness to the occasion; etiquette required guests to a formal party to bring a lotus offering to the host--hence the flower served as a token both of invitation and admission.[68] [E.A. Wallis Budge] observed how in the Kerasher Manuscript, in which the person being presented wears exactly the same peculiar lotus headdress as our Shulem (figure 5), "instead of the bullock-skin dripping with blood, which is generally seen suspended near the throne of the god, masses of lotus flowers are represented, giving a totally different aspect to the scene.[69] Yet, while the lotuses "seem to have figured prominently" in formal occasions, according to Aylward Blackman, we still do not understand the flower offerings, any more than we do the combination of lotus stands and small libation vessels such as our figure 3.[70] It would now seem that these tall and narrow Egyptian ritual stands originated in Canaan.[71]
[. . .]The lotus is definitely a welcome to Egypt from the king to human and divine visitors; the divinity who received the token reciprocated by responding to the king "I give thee all the lands of thy majesty, the foreign lands to become they slaves. I give thee the birds, symbols of thine enemies."[72] In receiving a lotus, the king in return ritually receives the land itself, while the god in accepting a lotus from the king promises him in return the reverent obedience of his subjects.[73] "The flowers are mostly heraldic plants . . . associated with the crowns of Upper and Lower Egypt," for in some the main purpose of the lotus rites is to "uphold the dominion of the King" as nourisher of the land.[74] Moreover, its significance is valid at every level of society, the lotus being a preeminent example of how mythological themes and religious symbolism were familiarly integrated into the everyday life of the Egyptians.[75]
[. . .]
The numerous studies of the Egyptian lotus design are remarkably devoid of conflict, since this is one case in which nobody insists on a single definitive interpretation. The points emphasized are (1) The abstract nature of the symbol, containing meanings that are far from obvious at first glance (2) the lotus as denoting high society, especially royal receptions, at which the presentation of a lotus to the host was obligatory [. . .]; to be remiss in lotus courtesy was an unpardonable blunder, for anyone who refuses the lotus is under a curse, (3) the lotus as the symbol of Lower Egypt, the Delta with all its patriotic and sentimental attachments ; (4) the lotus as Nefertem, the defender of the border; (5) the lotus as the king or rule, defender, and nourisher of the land; (6) the lotus as the support of the throne at the coronation. It is a token of welcome and invitation to the royal court and the land, proffered by the king himself as guardian of the border.[76]
Kevin Barney:
In Hebrew cosmology, the raqîa’ or “firmament” was believed to be a solid dome, supported by pillars.57 The raqîa’ in turn was closely associated with the celestial ocean, which it supported.58 In the lower half of Facsimile 1, we have the raqîa’ (1) connected with the waters, as with the celestial ocean, (2) appearing to be supported by pillars, and (3) being solid and therefore capable of serving itself as a support, in this case for the lion couch. The bottom half of Facsimile 1 would have looked to J-red very much like a microcosm of the universe (in much the same way that the divine throne chariot of Ezekiel 1—2, which associates the four four-faced fiery living creatures with the raqîa’ above their heads on which God sits enthroned, is a microcosm of the universe). The Egyptian artist’s perspective is not necessarily a limitation on J-red. The stacking effect of waters apparently both being supported and acting as a support would have suggested to J-red the Hebrew conception of the raqîa’.[77]
The Hebrew term "Raukeeyang" is a transliteration of the word "raqîa’". In Figure 12, Joseph Smith describes "Raukeeyang" as the firmament over our heads and a crocodile swims through it. This makes sense in light of modern scholarship that identifies Egyptian's conception of heaven as a "Heavenly Ocean" with this figure. LDS Scholars have cited Non-LDS Egyptologist Erik Hornung whose work supports this.[78]
"Shamau" is presented as related to samayim, a dual form meaning "heaven(s)" "Shaumahyeem" using the Sephardic Hebrew transliteration Joseph learned from Joshua Seixas as opposed to the Ashkenazic method.
Louis Zucker, a Jewish scholar from the University of Utah wrote:
Another such word is Shaumahyeem [exactly the Seixas pronunciation], heavens, in the sense of Genesis 1; Shaumau is an invented singular, unknown to the Bible.[79]
A number of points need to be made about the Restoration of Facsimile 1 to emphasize and clarify other evidences.
There is evidence to suggest that the original figure here would have been Anubis. Priests that were performing sacrifices could either remain without the head of Anubis or with it. It would not matter to the overall message of the scene portrayed. Theologically, it would not matter to scenes such as this one. Ancient art depicting religious situations such as this frequently had other people impersonating other Gods. The priest of Elkenah likely could have been wearing an Anubian headdress while performing this scene and the interpretation would still be correct.[80]
John Gee has written:
The discussion about figure 3 has centered on whether the head should be that of a jackal or a bald man. Whether the head is a jackal or a bald man in no way affects the interpretation of the figure, however, since in either case the figure would be a priest.
His footnote here reads as follows:
The argument for the identification runs as follows:
(2) Assume on the other hand that the head on Facsimile 1 Figure 3 is that of a jackal, as was first suggested by Theodule Devéria. We have representations of priests wearing masks, one example of an actual mask, [and] literary accounts from non-Egyptians about Egyptian priests wearing masks. . . . Thus, however the restoration is made, the individual shown in Facsimile 1 Figure 3 is a priest, and the entire question of which head should be on the figure is moot so far as identifying the figure is concerned. (John Gee, “Abracadabra, Isaac, and Jacob,” Review of Books on the Book of Mormon 7/1 [1995]: 80–82)[81]
(1) Assume for the sake of argument that the head on Facsimile 1 Figure 3 is correct. What are the implications of the figure being a bald man? Shaving was a common feature of initiation into the priesthood from the Old Kingdom through the Roman period. Since “Complete shaving of the head was another mark of the male Isiac votary and priest” the bald figure would then be a priest.
Non-Latter-day Saint Egyptologist Robert Ritner has argued that:
Masks of Anubis and Bes were used for similar identifications during ritual (Murray 1935-38 and Wild 1963, pp. 78-81). The significance of such masking is distorted beyond reason in Wolinski 1986 and 1987; see above, n. 1037. Priestly impersonators of Anubis regularly appear in funerary ceremonies, and are styled simply 'Inpw, "Anubis" or rmt-'Inpw, "Anubis-men"; see Faulkner 1951, pp. 48-49: 'ink 'Inpw, "I am Anubis" (line 6)[.][82]
Gee gives an example of this of a bald priest donning the head of Anubis at the temple of Dendara. The first image is an actual drawing created during the Ptolemaic period from Dendara of the priest putting on the mask. The second is an example of such a mask that would be placed on them.
One early Latter-day Saint who saw the papyri in 1841 described them as containing the scene of an altar with "a man bound and laid thereon, and a Priest with a knife in his hand, standing at the foot, with a dove over the person bound on the Altar with several Idol gods standing around it."[83] Similarly, Reverend Henry Caswall, who visited Nauvoo in April 1842, had a chance to see some of the Egyptian papyri. Caswall, who was hostile to the Saints, described Facsimile 1 as having a "man standing by him with a drawn knife."[84] See here for more information. The best explanation of the figure depicted as the priest sacrificing Abraham is that he is in the martial position, attempting to combat with the figure on the couch. This emphasizes the interpretation of Abraham being sacrificed.
The placement of a hand at this portion of the lacuna is significant since it emphasizes the fact that the figure lying on the couch is alive. The best evidence suggests that this figure was indeed a hand. See here for more information
FIGURE 1
Pearl of Great Price Central:
Latter-day Saints have long been interested in Kolob for its doctrinal and potential cosmological significance. The opening words to the beloved Latter-day Saint hymn “If You Could Hie to Kolob” written by W. W. Phelps was, of course, inspired by Kolob in the Book of Abraham.
In recent years, spurred on by promising discoveries in Egyptology and Near Eastern archaeology, some Latter-day Saint scholars have sought to situate Kolob in the ancient world. Although there are still many uncertainties, a few points in favor of Kolob being authentically ancient can be affirmed with reasonable plausibility.
Hugh Nibley and Michael Rhodes:
Figure one is the God Amun. As Peter L. Renouf saw, "the great God, Lord of Heaven, the giver of light, lighting up the Heavens and earth with his rays . . . to give life to the universe."[85].. . .The staff held by figure 1, Amun, is a combination of the djed-column, signifying abiding firmness and stability, the was-scepter of power and authority, and he ankh-staff of life --the three things on which all certainty depends. But before all else we are dealing with creation and birth. So, it is enlightening to note that the Prophet Joseph begins his explanation of this figure as "the first creation, nearest to the celestial, or the residence of God. First in government, the last pertaining to measurement of time," etc. It is not the celestial residence, but it is near to it, as the center of one great system, the large system known to Abraham, and though he is aware of the existence of worlds without number, he sees only a particular segment. Indeed, Moses was sharply rebuked when he asked to see it all: "Worlds without number have I created . . . for mine own purpose; . . . here is wisdom and it remaineth in me" (Moses 1:33,31). Moses is informed that he has all that he can handle in his own earthly mission and meekly apologizes, "Be merciful unto they servant, O God, and tell me concerning this earth, . . . and then they servant will be content" (Moses 1:36).
The most sublime aspect of Amun is the way he brings all things together in one, just as science today looks for the Grand Unifying Theory (GUT). That is what Amun gives us and we should bear in mind that all the owners of hypocephali were priests and priestesses of Amun-RE, along with their associates. Abraham, viewing the tarry heavens, fund that he "could not see the end thereof" (Abraham 3:12); while Moses, who is given "only an account of this earth," is assured that worlds that now stand are "innumerable. . . unto man; but all things are numbered unto me, for they are mine and I know them (Moses 1:35). As the doctrine of Min-Amun-Re, etc. proclaims, all the universe is full of life, sustained and rejuvenated in and by the One at the Center.[. . .]
The central figure of most hypocephali has four rams' heads on one neck. Herodotus was intrigued by the representation of Amun with the head of a ram, as in our figures 1 and 2. First of all, he makes it clear that the Egyptians did not for a moment "think that is th way he really was."[86] And he proceeds to explain that Zeus was determined that not even Hercules should see his true appearance, but he at least granted him the indulgence of "displaying himself wearing the fleece of a ram which he had skinned and beheaded." And that is why the Egyptian images of Zeus have a ram's head. They got the idea from the Ammonite Egyptian colonists, whose name for Zeus was Amun. The center of his cult in Egypt was in Mendes.[87] Because the Egyptian word for ram, ba, is the same as the wod for soul, the Ram at Mendes also became assocated with both Osiris and Re.[88] There are also a four-headed ram-god was thought to combine the attributeds of Re, Shu, Geb, and Osiris, and thenw as extended to include "the ba of every god."[89]
Turning to the famous Mendes Stela, we view "the great god Mendes, the life of Re, the male potency of gods and mankind, who appears in the region of light (or as an akh), the divine issue of the Ran . . . elest son of the Creator of All, who sits on the throne of the first of the gods . . . a prince in the womb, a ruler at the breast whom the potency of his father, the Ram of Mendes, made strong as a king, victorious, etc."[90] This fulsome description is well summed up in Joseph Smith's economical explanation as "the first creation, nearest to the celestial, or residence of God. First in government." (Fac. 2, fig. 1 explanation).
We all know thathe ram is the bellwheter who leads out the flock. Aries the Ram leads out the year in the Zodiac--the god Janus (after whom the month January is named) has the horns of Aries the Ram (see p. 397, fig. 48). As Min he always has got's horns and as Min-Amun he is the rejuvenanted prowess of ram, got, and lion . . . he with the four faces on one neck, the 777 ears, millions of eyes, and hundreds of thousands of horns.[91] As to the horns, Amun shares two types with Khnum as primal king and creator. There are the long, twisted horizontal horns of figure 2 and the new breed which appeared in the New Kingdom of he well-known curly horned beast associated with Amun. And yet the god continues to wear both types of horns together as he does on most of the hypocephali (fig. 28).[92][93]
An investigation of ancient astronomy shows that a cubit was used not only as the metric of length (elbow to fingertip) but also as a metric of angle in the sky. That suggested a new interpretation that fits naturally: the brightest celestial object—the sun—moves eastward around the sky, relative to the stars, during the course of a year, by one cubit per day!.
Hugh Nibley and Michael Rhodes:
Another statement of time--"one day in Kolob is equal to a thousand years" (Fac. 2, fig. 1)--demonstrates different times in different systems. That is the great year of the ancients. They worked out all sorts of cycles. The whole Kolob concept suggests that "archaic order: which today is being retrieved through the serious study of the oldest myths, monuments, and idols of the race. "As we follow the clues--stars, numbers," write de Santillana and von Dechend, "a huge framework of connections is revealed at many levels. One is inside an echoing manifold, where everything responds and everything has a place and a time assigned to it. This is a true edifice. . . a World-Image that first the many levels, and all of it kept in order by strict measure."[95]The concept of unity and identity so prominent in the Egyptian text is well expressed in the Pearl of Great Price: "And behold, all things have their likeness, and all things which are in the heavens above and things which are of earth, and things which are in the earth, and things which are under the earth, both above and beneath: all things bear record of me" (Moses 6:63). Such is the "echoing manifold," with Kolob in control
In this huge framework of connections, the unit of measurement is, according to de Santillana and von Dechend, "always some form of time."[96] And it is the same in the Prophet's explanation of the multileveled "firmament of the heavens" which "answers to the measurement of time"--that is, of the revolutions or orbits of the heavenly bodies.[97]
Hugh Nibley and Michael Rhodes:
The Lord used this earth as the basis in the explanation of his creations to both Abraham and Moses (Abraham 3:4-7,9; Moses 1:35-36), "according to the measurement of the earth which is called by the Egyptians Jah-oh-eh" (Fac. 2, figs. 1,4, explanation). This, of course, suggests Jaoel, the angel who visits Abraham in the Apocalypse of Abraham who is easily identified by George H. Box as Jehovah.[98]
What is that mysterious name, Jehovah, and its form?[. . .]
The form we all know in common use, Jehovah or Yahweh, is held by the Jewish scholars to be "only meant for the masses" and not the true or real Tetragrammaton at al.[99]
[. . .]
"The original letters of the Tetragrammaton," Phineas Mordell concludes, "were [Hebrew word] instead of [Hebrew word],"[100] which corresponds to Joseph Smith's j-a-o-e (yod, ayin, waw, aleph).[101]
Regarding all of Fac 2 Fig 1, Michael Rhodes writes:
A seated deity with two (or in most hypocephali, four) ram's heads. He is holding in his hand the symbols of life (onu), dominion (was) and stability (jd). On either side of the god are two apes (numbers 22 and 23) with horned moon-disks on their heads, in an attitude of adoration. There are also two serpents, one on either side of the seated deity. The god is sitting at the center of the hypocephalus, which, as was mentioned above, represents the world. This seated figure represents god as the creator, either Amon-Re or Khnum. When thus depicted with four heads, this god united within himself the attributes of the gods Re (the sun), Shu (light), Geb (the earth), and Osiris (god of the next world and the resurrection), and represented the primeval creative force. Joseph Smith says that this is “Kolob, signifying the first creation, nearest to the celestial, or the residence of God.” This agrees well with the Egyptian symbolism of god endowed with the primeval creative force seated at the center of the universe. The name Kolob is right at home in this context. The word most likely derives from the common Semitic root QLB, which has the basic meaning of “heart, center, middle” (Arabic قِلب (qalb) “heart, center”; Hebrew קֶרֶב (qereb) “middle, midst”, קָרַב (qārab) “to draw near”; Egyptian m-qab “in the midst of”). In fact, قِلب forms part of the Arabic names of several of the brightest stars in the sky, including Antares, Regulus, and Canopus. The apes can represent Thoth, the god of writing and wisdom, as well as the moon, but due to their curious habit of holding up their hands to receive the first warming rays of the sun after the cold desert night as if worshiping the sun at its rising, they are often found in connection with the sun. Besides these solar and lunar associations, apes are also found associated with stars and constellations. Joseph Smith says they are stars receiving light from Kolob, which is in harmony with our understanding of their symbolism in Egyptian.
In his explanation of figure 1, Joseph Smith says that the earth is called Jah-oh-eh by the Egyptians. In the Times and Seasons he defined Jah-oh-eh as “O the Earth.” This would be reasonable rendering of the Egyptian i ae.t, “O Earth” (assuming that Joseph used the biblical convention of rendering a Semitic Yod with an english J).[102]
Hugh Nibley and Michael Rhodes:
This figure, as Joseph Smith explains it, "stands next to Kolob . . . the next grand governing creation near to . . . the place where God resides" (Fac 2, fig. 2, explanation). Compare this to figure 1, which is "Kolob. . .the first creation, nearest to . . . the residence of God" (Fac 2, fig. 1 explanation). With this gradation of glory goes precedence in time, figure 1 "the first creation." and beyond that, steps in degrees of authority, with figure 2, "te next grand governing creation." Neither one is the center of everything. Figure 1, to be sure, is the center facing in all directions around whom all else revolves. Abraham is told that "Kolob is set. . . to govern all those planets which belong to the same order as that upon which thou standest" (Abraham 3:9). Moses was rebuked for wanting an immediate view of what the ancients and Paul called [Greek script] (pleroma)--absolutely everything (see Colossians 2:9); the Lord told him to hold on and be satisfied with this world, the only world which concerned him at present (Moses 1:30-36).
Note also that figure 2, the second in order, is "holding the key of power also pertaining to other planets." On some hypocephali this figure is labeled both Re and Amun-Re, the same power at different levels. He stands at the zenith of the year and the moon of the day at his greatest moment of power--the sun, the ruler of the solar system, but everything about him reminds us that he is motion. What about the rest of his journey, passing through the underworld from west to east? WE are referred to the ley, the Wepwawet, "Opener of the Ways," which lets us out of the underworld.In the small Nash hypocephalus (see appendix 7A), figures 1 and 2 are combined and their identify clearly established: In the top panel, wearing the two tall feathers of Amun, the two-headed figure, but here he is situated on the throne, holding the scepters exactly like the four-headed Amun on other hypocephali.[103] In this case proximity is the main idea; we are near the center but moving out from it. Among the ancients and moderns, proximity to Divinity both in place and time was a direct measure of blessedness. This "Kolob" ideas is set forth vividly in the Book of Abraham: "the name of the great one is Kolob, because it is near unto me." (Abraham 3:3). It is "nearest to the celestial, or residence of God" (Fac 2. fig 1, explanation). A most significant feature of figure 2 is the crown the god-figure is wearing combining both ram's horns and the two tall features. It is the Ta-Tjenen crown (see Fac. 3 fig. 1) with the ram's horns that bring Re and Osiris together in a symbol of eternal beginning.[104]
Striding forth boldly on his eternal rounds, figure 2 is designated on a bronze hypocephalus as "Amun Lord of Heaven in his aspect of coming forth."[105] You will notice that our figure 2 is not "residing" anywhere--he is on the move, right at the top of the circle. His feathers usually touch and often protrude above the confining edge to show him, as one scholar puts it, "here at the vertex of the universe, the Ram comes first of al in order, appearing at the head of the universe and the beginning of light."[106] He is by all accounts a true two-faced Janus figure; classical writers, as we have seen, associated Amun's ram horns with the constellation Aries the Ram, the Opener of the Year.[107] Let us recall further that some Egyptian inscriptions label our figure 2 as past and future, "I know," and "I shall know," explaining that "the one is Osiris who is Yesterday, and the other is Re who is Tomorrow."[108]
The holy Egyptian feather which Shu wears signifies light traversing the space between heaven and earth and is represented by the god of that name;[109] "Its filaments symbolized the rays of the sun."[110] It is the famous atef-crown, designated by Joseph Smith as "emblematical of the grand presidency in heaven," and indeed the two feathers are the prime emblems of celestial light and spirit. Significantly, the shw-feather is not a theological but an astronomical symbol, as Rudolf Anthes sees it; the god's name is never written with the familiar divinity sign; rather it represents the actual sunshine or light and energy that traverses and fills the space between heaven and earth,[111] a light (to quote Joseph Smith) "pertaining to other planets." The sign of the two feathers enjoyed a very wide range of interpretation among the Egyptian scribes.[112]
As to the staff and or scepter, which god carries as his staff of office and the emblem of his power, it is of the utmost importance. It signifies specifically the power to move or progress. It is the standard of the dog Wepwawet, whose image appears on it--the faithful dog who leads his majesty into the realm of the unknown. "The true character of Wepwawet is still far from being clearly defined, by the Pyramid texts show him intimately related to the mystery of the rising sun and the resurrection of the king. . . that is why he is in the prow of the solar bark and always leads the parade."[113] All these ideas come together in the figure on the staff of the character who bears it.
Staff and Key
Joseph Smith calls the staff a key, "the key of power". The Hebrew word for key [Hebrew script] (miptah), means literally "opener," while the Egyptian name of the god who bears this staff is Wp-w3.wt = Opener of the Ways. The Egyptian obsession with "the Way" as the course of life here and hereafter, eloquently expressed in the First Psalm and in the preaching of the great high priest Petosiris--"I will show you the Way of Life"--has been discussed at length by scholars such as Oswald Spengler and Gerturd Thausing.[114] Peter is one who has the keys of the kingdom of heaven (Matthew 16:19). Janus also is the god "who holds a staff in his left and a key in his right,"[115] "the one who holds the key (clavigerus),"[116] and the one who is "the gatekeeper of the heavenly courts (coelestins ianitor aulae)."[117] The Egyptian is constantly concerned with being checked or blocked (h.sf) in his career. Only real power, the power of the key, can overcome his determined opponents. It shall become apparent that the key plays a major role both in the hypocephalus and in the Prophet's interpretation of it.[118]
Michael Rhodes regarding all of Fac 2 Fig 2:
A two-headed deity wearing the double-plumed crown of Amon, with ram's horns mounted on it. On his shoulders are jackal heads, and he is holding the jackal standard of the god Wepwawet. To his right is an altar with offerings on and around it. In most hypocephali, he is holding the ankh, or symbol of life, in his right hand. Also to his right is a line of hieroglyphs reading: “The name of this Mighty God.”Joseph also says this figure pertains to the plan of God's creations as revealed to Abraham as he was making a sacrifice. This agrees exactly with the Apocalypse of Abraham account as described above, as well as with the Egyptian concept of the hypocephalus representing all that the sun encircles.[119]
This is Amon-Re, the chief god of the Egyptian pantheon; the two heads illustrate the hidden and mysterious power of Amon (his name in Egyptian means “the Hidden One”) combined with the visible and luminous power of Re. This is clearly the god mentioned in chapter 162 of the Book of the Dead (the chapter describing the construction and use of the hypocephalus), who wears the double plumed crown. The jackals on his shoulders as well as the jackal standard he holds are symbols of the god Wepwawet, the Opener of the Way, i.e. of the year, of the king in his conquests, of the dead through the dangers of hereafter to the throne of Osiris where they would be judged, or any other way that needs opening. Joseph Smith says, “Stands next to Kolob, called by the Egyptians Oliblish, which is the next grand governing creation near to the celestial or the place where God resides: holding the key of power.” The symbol of life held by this god was considered as a symbol of a god's power. A good example is the god Aton, who is represented by a sun disk with numerous rays emanating from it that all end in a hand holding the symbol of life. I can find no obvious word in Egyptian that matches with Oliblish, but this puts it in the same category as many of the strange names found in the 162nd chapter of the Book of the Dead, which seem not to be Egyptian but some foreign language.
Hugh Nibley and Michael Rhodes:
Joseph Smith's critics have pointed out that his explanation of figure 3 so far--the throne, the sun-crown--would be an easy guess.[120] "Clothed with power," however, is a palpable hit; for the big was-scepter that the king holds stands for "dominion," according to Raymond Faulkner[121] and for "dominion, lordship," according to Alan H. Gardiner;[122][123]
[. . .]
The main activity in this panel on most hypocephali is the handing around of the wedjat-eye. Thus we find the ape presenting the eye to the sun-god;[124] or the ape in a shrine wearing the solar disk receiving the wedjat from another ape who also wears upon his head yet another solar disk containing another wedjat-eye;[125] or an ape in the shrine receiving the wedjat-eye;[126] or a giant wedjat-eye held by an ibis-headed Thoth and worshipped by two apes;[127] or an ape presenting the eye to the sun-god—facing to the right as in our figure 3—between them a scarab labeled Khepri;[128] or a large ape in a shrine receives the eye from another ape—the infant rides up in the bow;[129] or the sun-god and the apes flank a Khepri-scarab to whom the ape is offering the eye.[130] Quite often the ape offers the eye to the crowned ape in the shrine;[131] the ape and the eye alone in the boat;[132] or the ape in a shrine faced by an ape with two wedjat-eyes.[133] Thus Khepri, the scarab, changes his position from hypocephalus to hypocephalus with the greatest freedom—he moves all over the place, as is proper for one who is the very embodiment of change. We go on with these seemingly endless permutations to indicate what a hive of activity figure 3 represents, a lively exchange of position and powers with a full display of “power and authority, . . . the grand Key-words of the Holy Priesthood” being passed around, here represented as visual symbols, as we know it descended to “Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed.”
The cast of characters is very limited in the Joseph Smith version, but the idea is fully represented by the presence of the most potent symbol of all, the two wedjat-eyes flanking Horus-Re. They must be considered in the context of figure 7...[134]
Michael Rhodes:
A hawk-headed god Re with the sun disk on his head, seated on the solar bark. On either side of him is a Wedjat-eye. In his hand he holds the was-scepter, symbol of dominion, and in front of him is an altar with a lotus blossom on it.Re seated in his bark represents the sun in its daily journey across the sky and symbolizes resurrection and rebirth, since the sun was thought to die and be reborn each day. The lotus on the altar in front of him is also symbolic of rebirth and the rising sun. The Wedjat-eye was symbolic of light and protection (among other things) and is thus not out of place in this context.
Joseph Smith said this represented God, sitting upon his throne clothed with power and authority; with a crown of eternal light on his head. The was-scepter, as I mentioned above, represents power and authority, and the sun certainly qualifies as a crown of eternal light. He also said that it represented the grand key words of the priesthood. The Greek writer Plutarch explained that the Wedjat-eye of Osiris represented pro/noia “divine providence” (literally “foreknowledge”), the divine wisdom by which God oversees and cares for all of his creations. It is not unreasonable to see in this “the grand key words of the priesthood” (“The glory of God is intelligence,” D&C 93:36).[135]
Hugh Nibley and Michael Rhodes:
Our figure 4 goes back to the earliest Egyptian iconography, found on an ivory tomb belonging to King Djet (serpent) from the First Dynasty; on it has been drawn "a boat beneath which two wings representing the sky are spread."[136] It is "the sun-sip on the wings of the sky, . . . the two outstretched wings above the earth, the sheltering wings of the sky-god, from which was later derived the idea of the hawk as the sky-god."[137]The inscription with the relief from Edfu adds: "the expanse [circumference] of the heavens is beneath his wings; . . . your body . . . is the sky which is adorned with its stars.[138] The bird in the boat is sometimes exchanged for the sky-goddess Nut, whose outstretched wings are the symbol of protection,[139] their purpose being to enfold and embrace everything (fig. 30)...for Hans Bonnet the wings show that the woman is the bird "which is usually put in place of her." The best-known Egyptian symbol of the sky, she controls not only the cycle of the stars but also that of the sun.[140][141]
[. . .]So far so good for Smith; all that seems quite obvious, but what about the next statement: "Also a numerical figure in Egyptian signifying 1000"? Professional Egyptologists have protested to the author that there is nothing known to them to justify attributing the number 1000 to figure 4. Yet here, if ever, the Joseph Smith explanation is right on target. The woman Nu, the sky-goddess of the outspread wings, has a peculiar epithet, and it is the same name as that given to the ship in figure 4, which means literally "a Thousand Are Her Souls," or "The One with a Thousand Souls,"[142] The Thousand Souls are stars, and she is so called because the stars are her children; a Pyramid Text says, "You (Nut) have taken to yourself ever god who has his own ship ([Egyptian script] hb3) and have instructed them in the starry sky ([Egyptian script] h3-b3=s) so that they will not depart from you as stars. Do not let NN be moved far from you in your name of 'Heaven' ([Egyptian script] hr.t)
And this takes us to Abraham. Not only was he asked to count the stars as a metaphorical measure of his progeny, but he meets us in Genesis 15:5 as both an observer ([Hebrew script] habbet) and counter ([Hebrew script] li-spor) of the stars. We also see him, according to Facsimile 3, "reasoning upon the principles of Astronomy, in the king's court" (Fac. 3, fig 1, explanation). Reasoning and counting are the same word in the famous stele of a great princess, a daughter of Psameticus II, which reads, "Behold ye Khabasu of Heliopolis . . . the God is born. . . one who can take the helm. Osiris Anchnesneferibre (the princess) will reckon (calculate, reason, w3d) with you concerning the secret which is in the Great Hall (w3s.t, of the palace) of the gods and will take along Osiris in his Ship of a Thousand, even with the two heads, so that by it he can mount to heaven and to the counter heaven."[143] This is our figure 4. Even more impressive is the way the Joseph Smith explanation seems to parrot everything the Worterbuch says about the Khabasu. According to the Worterbuch, h3-b3. s means: "Literally, 'a thousand-fold is her [the goddess of heaven] souls,' as a collective designation for the host of stars."[144][145]
[. . .]
The third most significant thing about figure 4, according to Joseph Smith, is its office in "answering to the measure of time," namely by the cycles and revolutions of the heavens. Since all these figures mark both the completion and initiation of various life cycles, time is of the essence and the figure of the Sokar-ship is the most important agent of coordination. It was at the sed-festival or jubilee that the bird was borne forth in procession on his ship. It is specifically figure 4 that coordinates the funereal with the astral them by virtue by its "calendrical" significance--that is, as the primordial measurement of time.[146][147]
Michael Rhodes:
A hawk in mummy wrappings with outspread wings, seated upon a boat. This can represent either Horus-Soped or Sokar, both hawk gods, which are symbolized by a mummiform hawk. One outstanding feature of this figure is its outspread wings, which are not normally found in representations of these two gods. The wings show a clear connection with Horus, the personification of the sky, as well as emphasizing the emerging of the the hawk from his mummy bindings in the resurrection. The association with Sokar, the ancient god of Memphis, is even more interesting. In the festival of Sokar, which was celebrated in many parts of Egypt, a procession was held in which the high priest would place the Sokar-boat on a sledge and pull it around the sanctuary. This procession symbolized the revolution of the sun and other celestial bodies. Joseph Smith sees here symbolism for the expanse or firmament of the heavens, which concept, as stated above, the Egyptians often represent by the hawk-god Horus. Joseph's explanation that this figure represents the revolutions of Kolob and Obilish agrees favorably with what we know of the use of the Sokar-boat in the festival of Sokar to represent the revolutions of the sun and other celestial bodies. Joseph also says that it is a numerical figure in Egyptian signifying one thousand. While this is not the standard hieroglyph for one thousand, there is a clear connection between the number one thousand and the ship of the dead. For example, in the Coffin Texts we read, “He takes the ship of 1000 cubits from end to end and sails it to the stairway of fire.” On the sarcophagus of the princess Anchenneferibre is found a description of the “Khabas in Heliopolis” and “Osiris in his ship of a thousand.” The term Khabas means “A Thousand is her souls” and refers to the starry hosts of the sky, confirming again Joseph Smith's explanation that it represents the expanse of the heavens.[148]
Hugh Nibley and Michael Rhodes:
But Joseph Smith tells us that figure 5 is the Sun. No problem. From being the mother of the Sun with the new born disk rising between her horns--a design in evidence in prehistoric times--it was an easy step to becoming the Sun itself.[149] As early as the Old Kingdom, the cow appears "as the female equivalent of Re."[150] At Opet in Luxor, where the Mother-Cow was worshiped as Hathor of Coptus, she was called the Sun of the Two Worlds--that is, both of Horus the son of Osiris and Amun-Re the Sun of Thebes.[151] Her horns, flanked by the same two feathers that our figure 2 wears as the Sun at the zenith, showing that the cow resurrects the Sun as well as the human race.[152][153]
Hugh Nibley and Michael Rhodes:
In his discussion of the Book of the Cow in the royal tombs, Charles Maystre pays special attention to the Tutankhamun version, the most carefully executed of the Heavenly Cow pictures (see p. 324, fig. 38): “Along the belly of the cow are stars.”[154] These are set in a line; at the front end is the familiar solar-bark bearing the symbol of Shemsu, the following or entourage, and at the rear end of the line is another ship bearing the same emblem. Both boats are sailing in the same direction through the heavens. The number of stars varies among the cows; in the instructions contained in the tomb of Seti I, it is specified that there should be nine, though the three groups of three strokes each can, and often do, signify an innumerable host.[155]In all this we never get away from cosmology and astronomy. In the Old Slavonic Secrets of Enoch, “four great stars, each having one thousand stars under it,” go with “fifteen myriads of angels,”[166] all moving, to quote Joseph Smith, together with “the Moon, the Earth, and the Sun in their annual revolutions.” In the Book of Gates, one of those mystery texts reserved for the most secret rites of the greatest kings, we see, as Gustave Jéquier describes it, “a long horizontal bar with a bull’s head at either end, supported by eight mummiform personages, and carrying seven other genies” (fig. 32).[167]These fifteen figures are designated as carriers or bearers (f.w), and the bar is the body of the bull extended to give them all room. A rope enters the bull’s mouth at one end and exits at the other, and on the end of this rope there is a sun-bark being towed by a total of eight personages designated as stars.[168] Just as the ship travels through the fifteen conveyor stars on the underside of the cow, the two heads of the bull make him interchangeable with the two-headed lion Aker, or Ruty, who guards the gate. “Aker,” writes Jéquier, “is a personification of the gates of the earth by which the sun must pass in the evening and in the morning.”[169] He is the same as the two-headed Janus, the gate-god, whom we have already met.[170]
The number here plainly belongs to the cow, but what about the fifteen stars? “The number fifteen cannot be derived from any holy number of the Egyptians,” writes Hermann Kees, and yet it presents “a surprising analogy” with the fifteen false doors in the great wall of the Djoser complex at Saqqara, which was designed by the great Imhotep himself, with the Festival of the Heavens of Heliopolis in mind, following the older pattern of the White Wall of the Thinite palace of Memphis.[156] Strangely enough this number fifteen keeps turning up all along, and nobody knows why, though it always represents passing from one gate or door to another. Long after Djoser, Amenophis III built a wall for his royal circumambulation at the sed-festival, marking the inauguration of a new age of the world; it also had fifteen gates.[157] In the funeral papyrus of Amonemsaf, in a scene in which the hawk comes from the starry heavens to minister to the mummy, “the illustration . . . is separated into two halves by the sign of the sky ” —the heaven above and the tomb below (fig. 31). Between the mummy and the depths and the hawk in the heaven, there are twelve red dots and fifteen stars.[158] Again, twelve is the best-known astral number, but why fifteen? One Egyptologist wrote years ago that “[t]he author’s impression is that these [the fifteen stars] are purely theological features without astronomical significance.”[159] “The ‘great Ennead which resides in Karnak’ swelled to fifteen members.”[160] It was structured in three phases: one became two, two became four, four became eight, which is fifteen altogether. Étienne Drioton associates this with the dividing of eternity in the drama of Edfu into years, years into months, and months into fifteen units, these units into hours, and they into minutes.[161] Furthermore the idea of fifteen mediums or conveyors may be represented on the fifteen limestone tablets of the Book of the Underworld found by Theodore Davies and Howard Carter in the tomb of Hatshepsut.[162] Let us recall that the basic idea, as Joseph Smith explains it, is that “fifteen other fixed planets or stars” act as a medium for conveying “the governing power.” Coming down to a later time of the Egyptian gnostics, we find the fifteen helpers (παραστάται, parastatai) of the seven virgins of light in the Coptic Pistis Sophia, who “expanded themselves in the regions of the twelve saviors and the rest of the angels of the midst; each according to its glory will rule with me in an inheritance of light.”[163] In an equally interesting Coptic text, 2 Jeu, there are also fifteen parastatai who serve with “the seven virgins of the light” who are with the “father of all fatherhoods, . . . in the Treasury of the Light.”[164] They are the light virgins who are “in the middle or the midst (μέσος, mesos),” meaning that they are go-betweens.[165] Parastatai are those who conduct one through a series of ordinances, just as the fifteen stars receive and convey light.
Michael Rhodes regarding all of Fig 5:
A cow wearing a sun disk and double plumes with a menit-necklace (symbol of Hathor, Ihet, etc.). This is the cow Ihet mentioned in chapter 162 of the Book of the Dead, which should be drawn on a piece of new papyrus to make a hypocephalus. Hence this picture of a cow is common to almost all hypocephali. Ihet is a form of Hathor, a personification of the original waters from which the whole of creation arose and the one who gave birth to the sun. She is also connected with Mehweret (Greek methyr), another cow goddess who symbolized the sky and is the celestial mother by whom the sun is reborn each day. The name Mehweret (Me-wr.t) means, “Great fullness,” i.e., the primeval waters from which Re, the Sun, first arose. Standing behind the cow is the goddess Wedjat who is holding a lotus blossom, the symbol of rebirth, here indicating the daily and annual renewal of the sun. Joseph Smith's explanation that this is the sun is in agreement with the Egyptian symbolism. Of various names used here by Joseph, I can find an equivalent only for Hah-ko-kau-beam, which is recognizable as the Hebrew הַכּוֹכָבִים (hakôkābîm) “the stars.” But again as stated above, strange, incomprehensible names are typical of this class of Egyptian religious documents.[171]
Joseph correctly identified the four canopic jars in figure 6 as the earth in its four quarters. Non-LDS Egyptologist E.A. Wallis Budge has translated it in the same way. As he wrote:
The four children of Horus played a very important role in the funeral works of the early dynasties; they originally represented the four supports of heaven, but very soon each was regarded as the god of one of the four quarters of the earth, and also of that quarter of the heavens which was above it.[172]
LDS Scholars have also cited the work of Maarten Raven, a non-LDS Egyptologist, to support Joseph's explanation.[173]
Michael Rhodes:
These four standing, mummy-like figures are the four Sons of Horus. They were the gods of the four quarters of the earth and later came to be regarded as presiding over the four cardinal points. They also were guardians of the viscera of the dead, and their images were carved on the four canopic jars into which the internal organs of the dead were placed.To the right of these four figures is the name of a god written with a lotus blossom, a lion, and a ram (Egyptian srpt-mai-sr). These three signs are thought to symbolize the gods of the rising, midday, and setting sun, i.e. Re, Khepri, and Atum. This same god is found in several different passages of the late Egyptian demotic papyrus, which refers to Abraham. Joseph Smith gives no explanation of this hieroglyphic name, but it is clearly associated with Abraham in this ancient document.[174]
Joseph Smith is right again describing these figures as representing “this earth in its four quarters.”
The God "Min" appears to have been "made to represent God sitting upon his throne" while the wedjat eye was used to represent the power of the Priesthood, and Nehebkau, the bird-like/serpent-like God being made to represent the Holy Ghost. See John Gee's discussion above for the adaptation of birds to represent angels or other heavenly messengers:
Hugh Nibley and Michael Rhodes:
The epithet of Min is "He of the upraised hand," and his identification is the flail and the erect phallus with which he appears in the oldest known Egyptian statue--he is always in human form.[175] They are also signs of procreation. Min was intimately related to the god Amun, and Amun was probably derived from him.[176] "Amun is the other self of Min; . . . his high priest was called 'The Opener of the Gates of Heaven,' while the high priest of Min at Letopolis was the 'Opener of the Mouth upon the Earth,' i.e., the mortals here on earth upon whom the heavenly power was conferred."[177] The Greeks and Romans associated him with Pan and Priapus.[178] Min is the "Creator god who made the heaven and brought forth the gods, who made the earth and created men . . . and who keeps all things alive."[179]
[. . .]
But most especially the eye belongs to the king and to kingship. Osiris gets the eye back after Horus has rescued it for him; he needs it to rule the kingdom below as Horus and Re need it to rule on earth and in heaven.[180] The eye was, according to Griffiths, the Eye of Horus.[181]
The eye fills the king completely;[182] it purifies him,[183] it gives him special knowledge, visionary power.[184] It exalts the king and places him at the head of the Greater and Lesser Councils.[185] [. . .] In the Pyramid Texts the fusion of his king's nature with God of heaven takes place when his statue is crowned with the moon-eye of Upper Egypt and the sun-eye of Lower Egypt, and then is anointed, passing through the middle chamber of stars into a room in which heaven was scenically depicted."[186] It is the ultimate supreme power over men and gods.[187] Its power is especially protective, encircling the king.[188] [. . .] With all its power, the wedjat is an important element in the ordinances. The functions of the wedjat-eye are combined in the anointing oil, both as the oil of heating that revives the smitten hero,[189] and as the very precious oil used in the ordinances of anointing the brow or breast, specifically to bestow authority and power.[190] It is the anointing which transforms the nature of the individual.[191] All this is in the wedjat eye itself, which by anointing imparts soul and body, restoration, joy, and thankfulness with its obligation of obedience.[192]
In other ordinances it is the food of the sacrament, the wedjat-eye is the power of the bread which fills, revives, and strengthens the king.[193] It is the strength given by sacramental food.[194] [. . .]
By now it should be clear to any Latter-day Saint reader that the elusive wedjat-eye, intimately familiar yet strangely elusive, is a symbol of that equally common all-but-indefinable power called the priesthood.[195]
Michael Rhodes:
A seated ithyphallic god with a hawk's tail, holding aloft a flail. This is a form of Min, the god of the regenerative, procreative forces of nature, perhaps combined with Horus, as the hawk's tail would seem to indicate. Before the god is what appears to be a bird presenting him with a Wedjat-eye, the symbol of all good gifts. In other hypocephali it can also be an ape, a snake, or a hawk-headed snake that is presenting the eye. This figure represents Nehebka, a snake god and one of the judges of the dead in the 125th chapter of the Book of the Dead. Nehebka was considered to be a provider of life and nourishment and as such was often shown presenting a pair of jars or a Wedjat-eye. As for the bird found in Facsimile 2, this could symbolize the Ba or soul (which the Egyptians often represented as a bird) presenting the Wedjat-eye to the seated god.Joseph Smith said this figure represented God sitting upon his throne revealing the grand key-words of the priesthood. The connection of the Wedjat-eye with “the grand key-words of the priesthood” was discussed above. Joseph also explained there was a representation of the sign of the Holy Ghost in the form of a dove. The Egyptians commonly portrayed the soul or spirit as a bird, so a bird is an appropriate symbol for the Holy Ghost.
[The wedjat eye can also symbolize] healing, light, totality, protection, glory, and even riches.[196]
Hugh Nibley and Michael Rhodes:
Joseph Smith explained that the three lines of text, figures 8-11, contain "writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God" and "ought not to be revealed at the present time." These lines contain a prayer to Osiris, the god of the dead, to grant life to the owner of this hypocephalus. A common theme of all Egyptian funerary literature is the resurrection of the dead and their glorification and deification in the afterlife, which is certainly a central element of our own temple ceremony.
There follows a transcription, transliteration, and translation of figures 8-11. (11) [Series of Egyptian hieroglyphs from figure 11] (10) [Series of Egyptian hieroglyphs from figure 10] (9) [Series of Egyptian hieroglyphs from figure 9] (8) [Series of Egyptian hieroglyphs from figure 8] (11) I ntr sdr. m sp (10) tpy, ntr '3 nb p.t, t3, (9) dw3.t, mw=f '3, (8) d3 'nh b3 Wsir Ssq. (11) O God of the Sleeping Ones[197] from the time of (10) the creation.[198] O Mighty God, Lord of heaven and earth, (9) of the hereafter, and of his great waters,[199] (8) may the soul of Osiris[200] Shishaq[201] be granted life.
As stated above, this is a prayer or plea of Shishaq, the owner of the hypocephalus, to Osiris, the god of the dead, who is the Lord of all things, to grant him eternal life.[202]
Michael Rhodes:
Joseph Smith explained that the remaining figures contained writings that cannot be revealed to the world. Stressing the secrecy of these things is entirely in harmony with Egyptian religious documents such as the hypocephalus and the 162nd chapter of the Book of the Dead. For example, we read in the 162nd chapter of the Book of the Dead, “This is a great and secret book. Do not allow anyone's eyes to see it!” Joseph also says line 8 “is to be had in the Holy Temple of God.” Line 8 reads, “Grant that the soul of the Osiris, Shishaq, may live (eternally).” Since the designated purpose of the hypocephalus was to make the deceased divine, it is not unreasonable to see here a reference to the sacred ordinances performed in our Latter-day temples. [Figures 8-11 should actually be read from Figure 11 to Figure 8. Altogether it reads, "(Fig.11) O God of the Sleeping Ones from the time of the creation. (Fig.10) O Mighty God, Lord of heaven and earth, (Fig.9) of the hereafter, and of his great waters, (Fig.8) may the soul of the Osiris Shishaq be granted life."][203]
Hugh Nibley and Michael Rhodes:
There are other such sentiments, but none of them at all like that in the Joseph Smith hypocephalus. These two passages take the form of half a dozen formulae in the various hypocephali consistent with their position at the very bottom of the world: (1) The theme of light coming into the darkness, the best known of all; (2) a warning to one in danger; (3) the assurance “you are secure” (written with the djed-column); (4) the stock flame-under-the-head statement; (5) snatches from conventional statements found in hypocephali in general such as “you go where you want,” etc. (6) But the Joseph Smith readings are the most interesting, backed up as they are by the carefully composed Leiden and Ashmolean hypocephali.The word ḥ.t refers to the tomb[210] or, more precisely, the tomb shaft.[211] Most hypocephali bear the name of their owner at least once, and it is his tomb that this passage is supposed to protect. The next word is "thἰ," to overstep, transgress; desecrate.[212] The concern here is that the deceased body which is in the tomb as well as his spirit (ba) which is in the netherworld, not be disturbed or desecrated, which would prevent their ultimate reuniting in a resurrection. As [the] Coffin Texts explain, all the parts of the physical body will be brought together with the soul, and the person will be “reestablished” in his original form.[213] The eternity motif means that the person is not stuck in the netherworld forever, but rather the body and spirit are reunited, and the person can “live forever.”[214][215]
The clue to these two lines is a recent study by Hans Goedicke. Most of line 17 is taken up by the significant expression b pn ḥnʿ nb=f. This particular formula, as Goedicke points out, citing examples, emphasizes “the continuous company between man and his ba . . . [and] reflects a continuous link.”[204] For example: “When I hurry to the caves, may my ba be still with me”[205]and “While I sleep my ba watches over my body.”[206] Just so Re watches over the sleeping Osiris. The idea of course is that the ba continues after death “to remain in contact with its former lord.” To achieve that unbroken contact between spirit and body against the moment of resurrection is of course the main purpose of the hypocephalus; or as Goedicke puts it, “the implicit motive for the desired contact between ba and corpse is the hope for a reunification of the disintegrated person in a physical rebirth.”[207] The subject of Goedicke’s special study is the famous “Lebensmüde,” or as Goedicke renders it, “The Report about the Dispute of the Man with his Ba” —perhaps the most impressive of all Egyptian theological compositions. Though the idea here treated “occurs repeatedly in all periods of Egyptian culture,” the “Lebensmüde” is the earliest and most moving exposition.[208] But the Joseph Smith version carries the theme farther. The whole inscription reads:
(17) [Egyptian hieroglyphs] (16) [Egyptian hieroglyphs]
(17) ḥ.t th.t, n nth.tw, (16) nn tḥ.tw b pn ḥnʿ nbf m dw.t ḏ.t
(17) May this tomb never be desecrated,[209] (16) and may this soul and its owner never be desecrated in the hereafter.
Hugh Nibley and Michael Rhodes:
Another tradition suggested by the rim is the significance of the solar circle as the year-circle or shenen, the course of the sun in his rounds. Alan H. Gardiner explains, “Strictly speaking, the loop would be round. . . . The Egyptians called the cartouche šnw from a verb-stem šnἰ, ‘encircle,’ and it seems not unlikely that the idea was to represent the king as ‘ruler of all that which is encircled by the sun,’ a frequently expressed notion.”[216]The Amun inscriptions encircling the hypocephali deal with the transmission of heat, light, and power. In the Meux hypocephalus rim inscription Amun states, “I have come forth from the wedjat-eye. . . . I have come forth from the netherworld with Re (the sun),”[218] the hypocephalus itself being the means by which light and heat are transmitted from their celestial source to the individual whose head rests upon it. Amun is commonly implored in the rim inscriptions to “turn his face toward the body of so-and-so,”[219] to warm and preserve it through the virtue of Re. The hypocephalus as a transmitter of both heat and light was to make available to one in the netherworld the life-giving force of the sun.[220]
The commonest Egyptian sign for eternity is read nḥḥ , a solar disk between two twisted hanks of hemp. ḥḥ is the common root for “many,” “very many,” “a million”; with the sun-disk (the time element) added it means eternal and eternally in the end formula of countless inscriptions, nḥḥ ḥnʿ ḏ.t, “for time and eternity.”[217] The point of all this is that the combination of šn and ḥḥ with vowels supplied can be read as Shinehah, which according to Joseph Smith designates “Shinehah, which is the sun,” with reference to its motion relative to that of the other heavenly bodies (Abraham 3:13) and signifies “one eternal round.”
Hugh Nibley and Michael Rhodes:
The text found in figures 19-21 are as follows: (21) [Egyptian hieroglyphs] (20) [Egyptian hieroglyphs] (19) [Egyptian hieroglyphs]
(21) iw wnn=k (20) m ntr pf (19) dd.wy.
(21) You shall ever be (20) as that God, (19) the Busirian.[221]
This continues the overall theme of the hypocephalus, and indeed Egyptian funerary literature in general. The deceased is promised that he will be like Osiris--he will be resurrected and live eternally as a god.[222]
Hugh Nibley and Michael Rhodes:
Inseparable from our figure 1 are the reverential apes on either side of him—figures 22 and 23 (see appendix 2). On other hypocephali they are sometimes two in number, sometimes four, six, or eight; sometimes standing and sometimes seated. They are identified as stars. As early as the Pyramid Texts, they are designated as “the Beloved Sons” of Sothis/Sirius, the brightest star in the sky.[223] It is assumed that the position of the apes shows them warming their hands as they greet the rays of the rising sun after the cold desert night and seeming to shield their eyes from the glory of the sunrise. So they are stars receiving light from a greater star, as Joseph Smith’s explanation declares. There was nothing to indicate to Joseph Smith that they are stars, yet along with the Pyramid Texts we have a vignette in the 17th chapter of the Book of the Dead in which each of these apes is preceded by a star (fig. 22).[224]Horopollo tells us that the special office of the apes was to function as timekeepers or time-reckoners.[225]The sitting cynocephalus, according to him, at each equinox urinates twelve times a day and twelve times a night; during the rest of the year he gives a cry twelve times a day on the hour, every hour.[226]The seated ape, then, is in charge of both the water clock and scales (fig. 24). In the Ptolemaic period the Egyptians wrote the determinative of the word for “hour,” wnw.t , by a heart-shaped plumb bob suspended from a carpenter’s square (see p. 253, fig. 26).[227] The purpose of this was to make sure that the post supporting the scale was perfectly upright, as is shown in Joseph Smith Papyrus IV. This new element suggests that the apes which face each other, worshipping the central figure both on the morning side and the evening side on all hypocephali (Fac. 2, figs. 22 and 23), establish among other things a sense of perfect balance in the universe—time, space, and matter are all measurably related. Finally, each of our apes is crowned with a disk and a crescent, the meeting of the sun and the moon at the New Moon marking the beginning of the month; the best-known office of the cynocephalus apes is in representing Thoth as the moon-god (see color plate 2).[228]
[. . .]
John Tvedtnes:
Abraham 3:13 defines Kokob as “star” and Kokaubeam as “stars, or all the great lights, which were in the firmament of heaven.” When first published in the Times & Seasons, the passage read “Kolob” in error. They’d written Kolob so many times that the typesetter thought that’s what belonged here. The manuscripts however have Kokob corresponding to the Hebrew word that we have written here kōkāb and denotes in the one singular and the other in the plural. The plural is also found two other times in the Book of Abraham and it’s called in Facsimile 2, Fig. 5 and also Abraham 3:16 it lists Kokaubeam or kōkābīm in Hebrew. The correct pronunciation (inaudible) means “the” so it’s “the stars.” Lundquist noted that one of the deities in Deimel’s list was Kakob meaning “star”. Similar, Kakkab is the name of one of the god’s mentioned in the Ebla records discovered in northwestern Syria.
Michael Rhodes on Fig 22 and 23:
A seated deity with two (or in most hypocephali, four) ram's heads. He is holding in his hand the symbols of life (onu), dominion (was) and stability (jd). On either side of the god are two apes (numbers 22 and 23) with horned moon-disks on their heads, in an attitude of adoration. There are also two serpents, one on either side of the seated deity. The god is sitting at the center of the hypocephalus, which, as was mentioned above, represents the world....[The writing near Fig. 22 reads]: The name of this Mighty God.... The Egyptians believed that every god and goddess had a secret name. If anyone could find out this name, he would have power over the god or goddess.[229]
The apes can represent Thoth, the god of writing and wisdom, as well as the moon, but due to their curious habit of holding up their hands to receive the first warming rays of the sun after the cold desert night as if worshiping the sun at its rising, they are often found in connection with the sun. Besides these solar and lunar associations, apes are also found associated with stars and constellations. Joseph Smith says they are stars receiving light from Kolob, which is in harmony with our understanding of their symbolism in Egyptian.
Hugh Nibley likened the temple endowment to the version of the Book of Breathings Made by Isis contained in the Joseph Smith papyri. The document is organized as follows:
See above for ancient traditions discussing this aspect of Abraham. Also, see above under Facsimile 1 for evidences of Semitic adaptation of Osiris to be Abraham.
Hugh Nibley:
But who would sit on Pharaoh’s own throne while he was alive and standing by? “No Pharaoh of Egypt,” cried one of Joseph Smith’s learned critics, “would have resigned his throne, even temporarily, to Abraham or any other person—hence . . . this would be an ‘impossible occurrence.'”[231] But it has since been shown that there was ample precedent in Egypt for just such an event. It goes back to the very ancient title of “Rpʿt on the Throne of Geb,” Geb the earth-god representing the principle of royal patriarchal succession here below. As Helck has unraveled it, we may begin with the Sed festival, marking the end of one reign and the beginning of another in a single rite: The old king is dead on the scene—it is his funeral—but his successor has not yet ascended the throne, which is therefore still his. Because of his condition, however, somebody must act for the late king until the new one takes over, and that one is the Rpʿt, originally the son himself “in his expectation of the throne,” in his role of Horus and therefore “like his father a descendant of Geb.”[232] Following the example of the Sed rites, the prince could represent his father on various missions, bearing the title “for specific assignments as substitute (Stellvertreter) for the king, authorized to give commands” in his name, and called the Son of Geb to proclaim his legitimate station.[233] With the growing business of the empire the king would need more substitutes than one, and at a very early time important court officials not of royal blood were detailed to represent royalty on various missions and given the title in a “truly patriarchal” spirit to show they were acting for the king and as the king.[234] The great Imhotep, a man of genius but for all that a commoner, held the title of Rpʿt on the Throne of Geb in the Third Dynasty;[235] that other wise man, Amenophis son of Hapu, boasts that he played “rpʿt in the drama of the Sed festival,”[236] even as the official Ikhernofret had the honor of being the king’s understudy in playing the role of Horus.[237]
See above for ancient traditions discussing Abraham holding the priesthood.
Hugh Nibley:
In most compositions resembling Facsimile 3, the seated majesty wears the same crown as is worn by figure 1. Sometimes the person on the throne and the one being presented to him both wear it.[238] Both the whiteness and the feathers are symbolic of the heavenly light that burst upon the world at the coronation,[239] the “luminous” quality of the one who mounts the throne.[240] The two feathers are both the well-known Maat feathers, “feathers of truth,” and Shu feathers, symbolic of the light that passes between the worlds.[241]Osiris “causes brilliance to stream forth through the two feathers,” says the famous Amon-Mose hymn, “like the Sun’s disk every morning. His White Crown parted the heavens and joined the sisterhood of the stars. He is the leader of the gods . . . who commands the Great Council [in heaven], and whom the Lesser Council loves.”[242] What clearer description could one ask than Joseph Smith’s designation of the crown “as emblematical of the grand Presidency in heaven”? He tells us also that this crown is “representing the priesthood.” The “most conspicuous attribute” of the godhead, according to Jaroslav Černý, was power;[243]the Egyptians, wrote Georges Posener, “did not worship a man” in the Pharaoh, “but ‘the power clothed in human form.'”[244] One shared in the power, Siegfried Morenz explains, by achieving “the maximal approach of the individual to the ‘divine nature,’ symbolized by his wearing an atef crown.”[245]The atef is the crown in our Facsimile 3, and anyone in a state of sanctification could wear it, but it emphasized, according to Morenz, a sacral rather than a kingly capacity, i.e., it “represented the priesthood” of the wearer.[246]In their administrative and disciplinary capacities both crook and scourge are indeed symbolic of Pharaoh’s “justice and judgment.” But in the hands of a commoner? Wolfhart Westendorf calls attention to “claims to royal prerogatives” found in the “tombs of the monarchs and dignitaries, who took over the whip, crook, scepter, and other elements of the king’s garb, in order to be completely equipped in death with all the attributes of Osiris.”[251] Gardiner claimed that those who appear in the trappings of our figure 1 were imitating not Osiris but the living king.[252] But it is all the same: The man on the throne holding “the sceptre of justice and judgment in his hand” is not necessarily either the king or Osiris, though he aspires to both priesthood and kingship. A scene from the Temple of Karnak shows Amon on the throne handing his crook and whip to the living king, who kneels before him; but the king already holds his own crook and flail (fig. 76), while Chonsu standing behind the throne in the garb of Osiris also holds the crook and flail.[253] The freedom with which the sacred symbols could be thus handed around shows that Abraham would not have to grasp Pharaoh’s own personal badges of office, but like many another merely be represented with the universal emblems to indicate the king recognized his supreme priesthood, as the Abraham legends recount.[254][255]
With the crown go the crook and flail, the receiving of which was a necessary part of the transmission of divine authority. Percy E. Newberry, in a special study, concluded that both crook and flail are “connected with the shepherd,” the former “the outward and visible sign of . . . authority,” marking the one who bore it as “chief shepherd”; by it “he rules and guides . . . and defends” his flock.[247] The flail was a contraption shepherds used to gather laudanum, according to Newberry’s explanation (which, however, has met with no enthusiastic acceptance by other scholars). Ancient sources tell us what it signified, as when the official who bears it at the archaic festival of Sokar is described as “drawing the people of Tameri [the Beloved Land, Egypt] to your lord under the flail,” suggesting the cattle driver, as does the prodding and protecting crook of the shepherd.[248] And like the crook, the whip also serves to protect the flocks: “Men and animals and gods praise thy power that created them,” says Anchesneferibre addressing Osiris, “there is made for thee a flail [nkhakha], placed in thy hands as protection.”[249] As symbolic of the power that created, it is held aloft by the prehistoric Min of Coptos, being the whip of light or of power, bestirring all things to life and action.[250]
Hugh Nibley:
Anyone wishing to demolish Joseph Smith’s interpretation of Facsimile 3 with the greatest economy of effort need look no further than his designating as “King Pharaoh” and “Prince of Pharaoh” two figures so obviously female that a three-year-old child will not hesitate to identify them as such. Why then have Egyptologists not simply pointed to this ultimate absurdity and dismissed the case? Can it be that there is something peculiarly Egyptian about this strange waywardness that represents human beings as gods and men as women? We have already hinted at such a possibility in the case of Imhotep in which, to carry things further, we see both his wife and mother dressed up as goddesses, the latter as Hathor herself (fig. 70).[256] Even more surprising, Dietrich Wildung notes an instance in which “we can identify Anat [the Canaanites’ version of Hathor] as ʾAnat of Ramses [the king] himself in the shape of a goddess” (fig. 71).[257] There you have it—the Lady Hathor, who is figure 2 in Facsimile 3, may be none other than Pharaoh himself. The two ladies in the Facsimile, figures 2 and 4, will be readily identified by any novice as the goddesses Hathor and Maat. They seem indispensable to scenes having to do with the transmission of power and authority. The spectacle of men, kings, and princes at that, dressed as women, calls for a brief notice on the fundamental issue peculiar to the Egyptians and the Book of Abraham, namely, the tension between the claims of patriarchal vs. matriarchal succession.
[. . .]Since Hathor installs the king “as guarantor of the world order,” it is not surprising that she is also identified with Maat (our figure 4 in Facsimile 3) at the coronation, hailed as “Hathor the Great, the Lady of Heaven, the Queen of the Gods and Goddesses, Maat herself, the female son [sic] . . . Maat who brings order to the world at the head of the Sun-bark, even ‘Isis the Great,’ the Mother of the Gods."[258] In the prehistoric shrine of Cusae “Maat was like the double [Ka] of Hathor”;[259] the two always operate together at coronations: “Maat is before him and is not far from his majesty. . . . Hathor the Great One is with him in his chapel.”[260]To signify his own wholeness of heart, the king presents the Maat-image to Hathor.[261] Maat (the female son) is the younger of the two—indeed, who is not younger than the primordial mother? While “Isis the divine mother” says at the coronation, “I place my son on the throne,” the younger goddess standing by as Nephthys “the Divine Sister” says, “I protect thy body my brother Osiris.”[262]Here the two ladies as Isis the venerable and Nephthys the maiden appear as mother and daughter,[263] standing in the same relationship to each other as “Pharaoh” and “Prince of Pharaoh,” whom they embody in Facsimile 3 (figures 2 and 4 respectively).
[. . .]
All this switching of sexes is understandable, if unsettling, in a symbolic sense—after all, Job says of the righteous man, “his breasts are full of milk” (Job 21:24). But Facsimile 3 is supposed to be an actual scene in the palace; would the family-night charades go so far? Granted that a bisexual nature was the rule for Egyptian divinities, who could freely change their outward appearance to match special functions,[264] still in a purportedly historical scene in which men are represented as women we need something more specific. To begin with, Hathor and Maat were always known for the masks that represent them, these masks being regularly worn by men. The horned Hathor mask, originally life-sized, was carried hanging around the neck of the officials and was gradually reduced in size for convenience, though even in the later period it is still quite large—plainly meant to be worn originally as a mask (fig. 73).[265] In the Old Kingdom, the son of Cheops wore the Hathor mask in his office of Intendant of the Palace, and other high officials wore it too; in the Middle Kingdom it was still the mark of men serving the king’s most intimate needs as his personal attendants.[266] The Egyptian chief judge, as he mounted the bench to represent the king, would suspend a large Hathor mask from his neck to signify that the court was formally in session, just as lawyers and judges in England submerge their personal identities in wigs and robes.[267] This Hathor mask seems to have been at all times interchangeable with the Maat-symbol, usually a huge greenstone feather that is sometimes shown in ritual scenes taking the place of the Lady’s face and head. The symbols are so freely applied that Budge identified the “cow-headed goddess” in the presentation scene of the Kerasher Papyrus, which is very closely related to our Facsimile 3, as “either Isis-Hathor or Maat” (fig. 74).[268]
The wearing of these two amulets or masks means complete identification: “Maat places herself as an amulet at thy neck [fig. 75A]; . . . thy right eye is Maat, thy left eye is Maat, thy flesh is Maat, . . . and thy members; . . . thy bandelette is Maat, thy garment . . . is Maat.”[269] The reference here is specifically to clothing; plainly the new king, the young one, is all dressed up as Maat—”she embodies him in her person in spite of sex.”[270] So let no one be shocked by figure 4. She is “the female Horus, the youthful, . . . Isis, the great, the mother of God, born in Dendera on the eve of the child in its cradle (the New Year).”[271] That is, she is not Pharaoh, but the “Prince of Pharaoh,” the new king. On the other hand, from a Pyramid Text it is clear that the king wore not only the horned headdress of the royal mother Hathor, but her complete outfit as well—combined with the Maat feathers: “His royal robe is upon him as Hathor, while his feather is a falcon’s feather,”[272] signifying both Horus (the falcon) and Maat as his “double.”[273]
The lotus flower frequently symbolized foreigners in Egypt. See above for Hugh Nibley's discussion of it.
Pearl of Great Price Central:
Figure 5 in Facsimile 3 of the Book of Abraham is identified as “Shulem, one of the king’s principal waiters.” We don’t know anything more about the man Shulem beyond this brief description as he does not appear in the text of the Book of Abraham. Presumably, if we had more of the story, we would know more about how he fit in the overall Abrahamic narrative.
However, there are some things we can say about Shulem and his title “the king’s principal waiter.”
Shulem is mentioned once in the Book of Abraham. All we are told about him is his name and title. Using onomastics, the study of names, and the study of titles, we can find out more about Shulem than would at first appear. The form of Shulem’s name is attested only at two times: the time period of Abraham and the time period of the Joseph Smith papyri. (Shulem thus constitutes a Book of Abraham bullseye.) If Joseph Smith had gotten the name from his environment, the name would have been Shillem.
Hugh Nibley:
But where does Abraham come in? What gives a "family-night" aspect to our Facsimile 3 is figure 5, who commands the center of the stage. Instead of his being Abraham or Pharaoh, as we might expect, he is simply "Shulem, one of the king's principal waiters." To the eye of common sense, all of Joseph Smith's interpretations are enigmatic; to illustrate his story best, the man on the throne should be Pharaoh, of course, and the man standing before him with upraised hand would obviously be Abraham teaching him about the stars, while figure 6 would necessarily be Abraham's servant (Eliezer was, according to tradition, a black man).[274]But if we consult the Egyptian parallels to this scene instead of our own wit and experience, we learn that the person normally standing in the position of 5 is the owner of the stele and is almost always some important servant in the palace, boasting in the biographical inscription of his glorious proximity to the king. Hall's collection of biographical stelae includes a Chief of Bowmen, Singer of Amon, Chief Builder, Scribe of the Temple, Chief Workman of Amon, Fan Bearer, King's Messenger, Guardian of the Treasury, Director of Works, King's Chief Charioteer, Standard Bearer, Pharaoh's Chief Boatman, Intendant of Pharaoh's Boat-crew, Warden of the Harim, the Queen's Chief Cook, Chief of Palace Security, etc.[275] All these men, by no means of royal blood, but familiars of the palace, have the honor of serving the king in intimate family situations and are seen coming before him to pay their respects at family gatherings. Some of them, like the King's Chief Charioteer, have good Syrian and Canaanite names, like our "Shulem"—how naturally he fits into the picture as "one of the King's principal waiters!" The fact that high serving posts that brought one into close personal contact with Pharaoh—the greatest blessing that life had to offer to an Egyptian—were held by men of alien (Canaanite) blood shows that the doors of opportunity at the court were open even to foreigners like Abraham and his descendants. But why "Shulem"? He plays no part in the story. His name never appears elsewhere; he simply pops up and then disappears. And yet he is the center of attention in Facsimile 3! That is just the point: These palace servants would in their biographical stelae glorify the moment of their greatest splendor for the edification of their posterity forever after. This would be one sure means of guaranteeing a preservation of Abraham's story in Egypt. We are told in the book of Jubilees that Joseph in Egypt remembered how his father Jacob used to read the words of Abraham to the family circle.[276]We also know that the Egyptians in their histories made fullest use of all sources available—especially the material on the autobiographical stelae served to enlighten and instruct posterity.[277] Facsimile 3 may well be a copy on papyrus of the funeral stele of one Shulem who memorialized an occasion when he was introduced to an illustrious fellow Canaanite in the palace. A "principal waiter" (wdpw) could be a very high official indeed, something like an Intendant of the Palace. Shulem is the useful transmitter and timely witness who confirms for us the story of Abraham at court.[278]
See above for ancient traditions discussing this. Important to remember is not only his knowledge of astronomy but his passing of the astronomy to the Egyptians and the type of astronomy being taught, tiered firmaments with earth at the center of the universe.
"The Book of Abraham is noteworthy for its description of so-called Abrahamic astronomy. Chapter 3 of the Book of Abraham, along with Facsimile 2, contains this astronomical portrait, which is not always easy to understand. Scholars looking at the text have articulated at least three different models for interpreting this chapter." Some see the possibility of the text being reconciled with modern science and a heliocentric cosmos for Abraham. Others have argued for a geocentric cosmos which would fit comfortably with the ancient Egyptian and Mesopotamian world. Others argue that Kolob remains at the center of the universe in the Book of Abraham. If we assume a geocentric cosmos, this can become a powerful evidence for the Book of Abraham's antiquity. If we assume a heliocentric cosmos, this becomes a similarly strong evidence for the enlightenment behind this particular aspect of the Book.
Astronomy, Papyrus, and Covenant (geocentric argument):
One of the major features of the Book of Abraham is its treatment of ancient astronomy, an aspect of Abraham’s teachings not recounted in the biblical narrative but one that does appear in noncanonical traditions about the Patriarch. William J. Hamblin, associate professor of history, and Daniel C. Peterson, professor of Islamic studies and Arabic, both at BYU, along with Gee, situate the astronomical accounts in the Book of Abraham among ancient geocentric astronomies, while Rhodes and J. Ward Moody, professor of physics and astronomy at BYU, use conceptions from contemporary physics to elucidate the same subject. E. Douglas Clark, an attorney and the international policy director of United Families International, examines the metaphor of stars and cedars in various ancient accounts about Abraham. Jared W. Ludlow, associate professor of history and religion at BYU—Hawaii, discusses Abraham’s reputation as an astronomer as found in a variety of ancient sources. Finally, Draper analyzes the role of the Book of Abraham in Latter-day Saint discussions about whether various scriptural creation accounts are allegorical.[279]
One thing that differentiates the Book of Abraham’s account of the Creation from the biblical account in Genesis is that the Book of Abraham mentions plural “Gods” as the agents carrying out the Creation...After the lifetime of Joseph Smith, archaeologists working in Egypt, Syria-Palestine, and Mesopotamia uncovered scores of texts written on papyrus, stone, and clay tablets...One way in which these creation myths were different from the Creation account in Genesis was the clear, stark portrayal of what came to be widely called the divine or heavenly council...Over time a general consensus has been reached that the Bible does indeed portray a multiplicity of gods, even if there remains individual scholarly disagreement over some of the finer details.
Pearl of Great Price Central:
Creedal Christianity teaches that God created the universe ex nihilo or out of nothing...By contrast, Joseph Smith taught that God created the universe ex materia or out of pre-existing matter...This teaching is also found in the Book of Abraham...Scholars now recognize that the ancient cultures of Egypt, Syria-Canaan, and Mesopotamia did not seem to countenance ideas of creation ex nihilo but rather envisioned creation as the emergence of an ordered cosmos out of pre-existing chaos.[280]
Notes
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